{"id":195,"date":"2016-01-03T01:20:26","date_gmt":"2016-01-02T14:20:26","guid":{"rendered":"http:\/\/emotemuse.com\/g\/?p=195"},"modified":"2016-01-03T01:20:26","modified_gmt":"2016-01-02T14:20:26","slug":"performers","status":"publish","type":"post","link":"https:\/\/wedgebillmusic.com\/?p=195","title":{"rendered":"Performers"},"content":{"rendered":"

A conductor’s hair style<\/a><\/h4><\/div><\/div>\n

A good performance<\/a><\/h4><\/div><\/div>\n

A performance can be greater than them<\/a><\/h4><\/div><\/div>\n

Any room for me?<\/a><\/h4><\/div><\/div>\n

Applause<\/a><\/h4><\/div><\/div>\n

Arthur Schnabel<\/a><\/h4><\/div><\/div>\n

Ashkenazy on Richter<\/a><\/h4><\/div><\/div>\n

Bernstein on immersive performance<\/a><\/h4><\/div><\/div>\n

Born for music<\/a><\/h4><\/div><\/div>\n

Bringing classical music to the people<\/a><\/h4><\/div><\/div>\n

Chopin’s pianistic style<\/a><\/h4><\/div><\/div>\n

Dee-da-dee-da-dee-da-splat<\/a><\/h4><\/div><\/div>\n

Difficult music is the easiest to play<\/a><\/h4><\/div><\/div>\n

Everything affects music making<\/a><\/h4><\/div><\/div>\n

Give music to those who love it<\/a><\/h4><\/div><\/div>\n

Glenn Gould on recording<\/a><\/h4><\/div><\/div>\n

Golden rules for an orchestra<\/a><\/h4><\/div><\/div>\n

Half a sonata<\/a><\/h4><\/div><\/div>\n

Hilary Hahn on technique, practise mentality, and performance<\/a><\/h4><\/div><\/div>\n

Hilary Hahn on the “story” behind the music<\/a><\/h4><\/div><\/div>\n

Hoffman on technique<\/a><\/h4><\/div><\/div>\n

Hogarth on Chopin<\/a><\/h4><\/div><\/div>\n

Jan Lisiecki on interpretation<\/a><\/h4><\/div><\/div>\n

Julius Asal on interpretation<\/a><\/h4><\/div><\/div>\n

Julius Asal on pairing Scriabin with Scarlatti<\/a><\/h4><\/div><\/div>\n

Julius Asal on the exploring darker emotions<\/a><\/h4><\/div><\/div>\n

Liszt’s account of a performance by Chopin<\/a><\/h4><\/div><\/div>\n

Love your music<\/a><\/h4><\/div><\/div>\n

Many an Orpheus and Arions make up a Bach<\/a><\/h4><\/div><\/div>\n

Music and time<\/a><\/h4><\/div><\/div>\n

Music better than it can be performed<\/a><\/h4><\/div><\/div>\n

Never use a score<\/a><\/h4><\/div><\/div>\n

Nikolaj Zainder performs Elgar’s Violin Concerto on the original violin<\/a><\/h4><\/div><\/div>\n

On Artur Schnable’s playing<\/a><\/h4><\/div><\/div>\n

Part of the bigger picture<\/a><\/h4><\/div><\/div>\n

Pavarotti<\/a><\/h4><\/div><\/div>\n

Perahia on Beethoven<\/a><\/h4><\/div><\/div>\n

Pieces to belong to performers<\/a><\/h4><\/div><\/div>\n

Piotr Anderszewski on interpretation<\/a><\/h4><\/div><\/div>\n

Popular classical music is great too<\/a><\/h4><\/div><\/div>\n

Practice slowly<\/a><\/h4><\/div><\/div>\n

Rachmaninoff on interpretation<\/a><\/h4><\/div><\/div>\n

Rachmaninoff on the culminating point in performance<\/a><\/h4><\/div><\/div>\n

Rachmaninoff practising slowly<\/a><\/h4><\/div><\/div>\n

Remembering J. S. Bach<\/a><\/h4><\/div><\/div>\n

Review of Pablo Casals<\/a><\/h4><\/div><\/div>\n

Richter on small concerts<\/a><\/h4><\/div><\/div>\n

Ringo Starr<\/a><\/h4><\/div><\/div>\n

Saint-Sa\u00ebns defending virtuosity<\/a><\/h4><\/div><\/div>\n

Schiff on Schumann<\/a><\/h4><\/div><\/div>\n

Schnabel on recording<\/a><\/h4><\/div><\/div>\n

Seeking challenges<\/a><\/h4><\/div><\/div>\n

Start from scratch every time<\/a><\/h4><\/div><\/div>\n

Stokowski as a sound engineer<\/a><\/h4><\/div><\/div>\n

Stokowski rebukes<\/a><\/h4><\/div><\/div>\n

Stokowski’s first rehearsal with the Philadelphia Orchestra<\/a><\/h4><\/div><\/div>\n

Stokowski’s rehearsal process<\/a><\/h4><\/div><\/div>\n

The delicate nature of Chopin’s pianism<\/a><\/h4><\/div><\/div>\n

The importance of reading<\/a><\/h4><\/div><\/div>\n

The juggling jazz musician<\/a><\/h4><\/div><\/div>\n

The life of a pianist<\/a><\/h4><\/div><\/div>\n

The musician’s quest<\/a><\/h4><\/div><\/div>\n

The orchestra as a symbol of unity<\/a><\/h4><\/div><\/div>\n

The role of an interpreter<\/a><\/h4><\/div><\/div>\n

The soloist will get his way<\/a><\/h4><\/div><\/div>\n

The technique of conducting<\/a><\/h4><\/div><\/div>\n

Up close and personal with Glenn Gould<\/a><\/h4><\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-195","post","type-post","status-publish","format-standard","hentry","category-indexes"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/wedgebillmusic.com\/index.php?rest_route=\/wp\/v2\/posts\/195","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wedgebillmusic.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wedgebillmusic.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wedgebillmusic.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wedgebillmusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=195"}],"version-history":[{"count":1,"href":"https:\/\/wedgebillmusic.com\/index.php?rest_route=\/wp\/v2\/posts\/195\/revisions"}],"predecessor-version":[{"id":196,"href":"https:\/\/wedgebillmusic.com\/index.php?rest_route=\/wp\/v2\/posts\/195\/revisions\/196"}],"wp:attachment":[{"href":"https:\/\/wedgebillmusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=195"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wedgebillmusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=195"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wedgebillmusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=195"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}