{"id":4699,"date":"2016-04-19T04:19:14","date_gmt":"2016-04-18T18:19:14","guid":{"rendered":"http:\/\/emotemuse.com\/g\/?p=4699"},"modified":"2016-04-19T04:19:14","modified_gmt":"2016-04-18T18:19:14","slug":"the-demise-of-the-music-critic","status":"publish","type":"post","link":"https:\/\/wedgebillmusic.com\/?p=4699","title":{"rendered":"The demise of the music critic"},"content":{"rendered":"<p>&#8220;&#8230;Moon, a 20-year veteran of the Philadelphia Inquirer before he left to write his new book, \u201c<a style=\"font-style: italic;\" href=\"http:\/\/www.1000recordings.com\/\">1,000 Recordings to Hear Before You Die<\/a><span style=\"font-style: italic;\">,\u201d believes the biggest difference between old reviews and reviews now is that in the past, the critic\u2019s job was to give readers a deeper sense of the work. But blogs\u2019 rise has led to what Moon calls a \u201cmegaphone\u201d culture. \u201cPeople think that their own reaction is more important than the work itself,\u201d he says. \u201cIt\u2019s a lazy way to write.\u201d<\/span><\/p>\n<p style=\"font-style: italic;\">&#8220;The online blog and review culture of saying whatever is \u201ccute, smart or attention-grabbing\u201d gives less chance for context and leaves no room for reasoned discussion, Moon says. The problem is that few people have an extensive knowledge or understanding of what went into the work. As critics more and more simply report their visceral feelings, actually knowing something about music has become seemingly unnecessary.&#8221;<\/p>\n<p>Thomas Garry, &#8220;Demise of the Critic&#8221;,<span style=\"font-style: italic;\"> Daily Gorilla<\/span>, 23 January 2009.<\/p>\n<p><a href=\"http:\/\/www.dailygorilla.com\/2009\/01\/23\/demise-of-the-critic\/\" target=\"_blank\">Click here<\/a> to view article.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8220;&#8230;Moon, a 20-year veteran of the Philadelphia Inquirer before he left to write his new book, \u201c1,000 Recordings to Hear Before You Die,\u201d believes the biggest difference between old reviews and reviews now is that in the past, the critic\u2019s job was to give readers a deeper sense of the work. But blogs\u2019 rise has [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[973],"tags":[1172],"class_list":["post-4699","post","type-post","status-publish","format-standard","hentry","category-audience-reception","tag-music-critical-reception"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/wedgebillmusic.com\/index.php?rest_route=\/wp\/v2\/posts\/4699","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/wedgebillmusic.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/wedgebillmusic.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/wedgebillmusic.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/wedgebillmusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4699"}],"version-history":[{"count":1,"href":"https:\/\/wedgebillmusic.com\/index.php?rest_route=\/wp\/v2\/posts\/4699\/revisions"}],"predecessor-version":[{"id":4700,"href":"https:\/\/wedgebillmusic.com\/index.php?rest_route=\/wp\/v2\/posts\/4699\/revisions\/4700"}],"wp:attachment":[{"href":"https:\/\/wedgebillmusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4699"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/wedgebillmusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4699"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/wedgebillmusic.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4699"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}