Wedgebill Music https://validator.w3.org/feed/docs/rss2.html Ravel on Debussy Ravel on Satie The Great Collapse (The Boy and the Heron) Imogen Cooper on a lesson with Alfred Brendel Fantasia on Ding Dong Merrily on High To burn with desire Emotemuse: The home of Greg Smith, Australian composer and pianist The Fox (New Year’s Day) Jack Sparrow (Pirates of the Caribbean: Dead Man’s Chest) Memories (The Boy and the Heron) Ask Me Why (Evacuation) (The Boy and the Heron) Master of the Tomb (The Boy and the Heron) Sanctuary (The Boy and the Heron) Habit is stronger than willpower or inspiration Love Letter (The Boys in the Boat) The inexpressible depth of music Joe Hisaishi on the score of The Boy and the Heron Rachmaninoff and phrasing Ruth Slenczynska’s advice on musical lines Rachmaninoff and colour Language at its most powerful On Artur Schnable’s playing Daydream Trombone Shorty on writer’s block Dance of the Knights (Prokofiev) Advance Australia Fair (Peter Dodds McCormick) Booking Form Preview Full Day Booking Time Slots Booking Contact Form Book an Appointment Booking Received Abstraction XIV Rachmaninoff practising slowly Debussy on impressionism Imagination A duet under the bed Speed (2) Speed (1) Crosswords Other terms 3 Other terms 2 Other terms 1 Modifications of Speed 1 Intensity of sound Education and research Julius Asal on interpretation Julius Asal on pairing Scriabin with Scarlatti Julius Asal on the exploring darker emotions