Schumann as a studentSchumann studied with Dorn, the conductor at the civic theatre. Dorn recalled: Having completed exercises in figured-bass realization, chorale harmonization, and canon, teacher and student moved on to double counterpoint. Intrigued by the mysteries of this discipline, and reluctant to tear himself away from his desk, Schumann once requested that his lesson take place in […]
A lock of Beethoven’s hairOnce a devoted admirer, wife of a Vienna pianist, longed for a lock of the composer’s outrageously unkempt hair, and asked a friend to get her one. At his suggestion, Beethoven, who was a practical joker of boorish capabilities, sent her a tuft from the chin of a goat. The trick was discovered, and the […]
O Lord, Our God, How Wonderful Your Name – Psalm 8Title: O Lord, our God, how wonderful your name Text: Psalm 8:4-9. R. v.2 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
Prayer of Thanksgiving to the TrinityTitle: Prayer of Thanksgiving to the Trinity Text: St. Catherine’s Dialogue on Divine Providence Composer: Greg Smith Instrumentation: Concert band (Flt. 1 & 2, Cl. 1 & 2, Alt. Sax., Ten. Sax., Bar. Sax., Trpt 1 & 2, trb, tub., perc.) Product medium: PDF score and parts Related products: – Prayer of Thanksgiving to the […]
StyleBrahms’ stingy sideMusicologist Richard Leonard describes a stingy side to Brahms’s personality: It is true that at times he was generous, giving away large sums to persons in need, and often imposing a strict secrecy; but about his own affairs he was as congenitally stingy as a peasant. He bought only the cheapest clothes, wore the same […]
That which precedes success“I continue to find my greatest pleasure, and so my reward, in the work that precedes what the world calls success.” — Thomas Edison, American inventor A. R. Calhoun How to Get On in the World; or, a Ladder to Pratical Success, New York, 1895, p.137. Digitally archived at: https://www.gutenberg.org/cache/epub/20608/pg20608.html, accessed 18 September 2021.
Who needs four strings anyway?In his work Le Streghe (The Witches), the virtuoso violinist Paganini would use scissors to reduce the number of strings on his violin throughout the piece, until he would be left playing the work on just the G string. Source: Haylock, Julian, “Nicolo Paganini”, Classic FM, December 2009, p. 41.
The power of enthusiasm“Enthusiasm is the greatest asset in the world. It beats money, power and influence.” Henry Chester
Mozart on melody“Melody is the essence of music”, continued he; “I compare a good melodist to a fine racer, and counterpointists to hack post-horses; therefore be advised, let well alone, and remember the old Italian proverb – ‘Chi sa piu, meno sa – Who knows most, knows least’.” The Reminiscences of Michael Kelly, 1826. Cited in: Marshal, […]