Collaborative piano

PERFORMANCE BIOGRAPHY
GREG SMITH
Certifications and degrees:
– 1996: Associate of Music, Australia (A. mus. A.) in piano performance
– 1998: Licentiate of Music, Australia (L. mus. A.) in piano performance
– 2001: Bachelor of Music, with honours, class I (University Medal).  University of Newcastle.  Double major in piano and composition.
– 2003: Master of Creative Arts, University of Music.  Performance practice issues in Russian piano music.

Experience:

  • Performances as soliost and accompanist in Australia, Japan, Malaysia, and New Zealand.
  • Performed improvised and original scores for Australia’s Silent Film Festival.  Films include Nosferatu, The Lodger, The General, Tol’rable David, and shorts by Charlie Chaplin and Buster Keating.
  • Collaborative pianist with artists ranging from beginners through to post-graduate university students and professional performers.  Worked with most instruments and familiar with a large portion of the repertoire.  Particular interest in the late romantic repertoire (such as Rachmaninoff’s cello sonata, Arensky’s piano trio, and the Brahms sonatas).  Collaborated with artists of the Christchurch Camerata, Central Coast Philharmonic Choirs, Newcastle Festival Opera and insitutions such as the University of Newcastle, School and Community Music, and the McDonald College.
  • Repetiteur: for various companies, including Newcastle Festival Opera.  Recent works include La Boheme (Puccini), Candide (Bernstein), The Gondeliers (Sullivan), and Threepenny Opera (Weil).
  • Recorded accompaniment/background tracks for various artists ranging from musicians to theatre groups.

SERVICES
Solo & collaborative piano services:
– Solo performance
– Accompaniment & ensemble performance
– Repetiteur services
– Recording
– Tuition
– Piano method

Contact Greg Smith


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Imogen Cooper on a lesson with Alfred Brendel
He was a wonderful teacher. He is extremely articulate and very demanding. He made no concessions to my age. In my first lesson, I was playing a Schubert piano sonata, and the first chord took 20 minutes. I played it again and again, and Brendel wandered around the room saying: “No, balance of sound wrong […]
The orchestra as a symbol of unity
“You see behind me a symphony orchestra.  Every single one of the instruments has an entirely different background and history; they come from different places …; they’ve had different developments; they sound different… And so, the next time your soul sings, assailed with some sort of horrid indication that people can’t get along together, please […]
What a difference an audience makes
Mozart was in Paris in 1778. He visited the duchess of Chabot, Elisabeth-Louise de la Rochefoucauld, wife of Louis-Antoine-Auguste de Rohan. Mozart described the visit in a letter to his father: A week went by without any reply, but she had informed me to see her in a week’s time, so kept my word and […]
Some curious devices
In the late nineteenth-century, some quite curious mechanical inventions were created to deal with the body with relation to pianists and conductors.    The following is an account of a presentation by T. L. Southgate on The Physiology of Pianoforte Piano. The paper presented was written by W. Macdonald Smith.  This account appeared in the […]
Mozart’s musical aesthetics
Mozart’s comments on the musical style of his piano concertos (K. 413-415) portray his underlying aesthetic principle that music should be clear and accessible: I still have 2 concertos to write to complete my subscription concerts. – These concertos are a happy medium between what’s too difficult and too easy – they are Brilliant – […]
How to win over an orchestra
Haydn was in London in 1791 when he performed in a concert led by Johann Salomon (a violinist/composer).   Salomon played the first violin and led the orchestra, and Haydn sat at the harpsichord, keeping the band together by an occasional chord or two, as the practice then was. Great composers have not always been […]
Mozart’s piano returns to his home
“The piano that Mozart used for the last 10 years of his life and which he used to compose much of his music was returned to his former home in Vienna for a performance of his music. ‘A big, positive shock was how good the instrument is,’ said Russian pianist Alexander Melnikov after the concert […]
“Didn’t you like it?”
Leonard Bernstein and Mildred Spiegel attended the Boston Symphony Orchestra season in 1933. They sat, she remembers, in the second balcony “under one of the male Greek nude statues.” One evening, during a standing ovation for the orchestra’s music director, Serge Koussevitzky, Lenny “just sat there” clapping very softly. “What’s the matter,” I asked, “didn’t […]
Oration XIV (St. Gregory the Theologian)
Title: Oration XIV Text: St. Gregory the Theologian Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score Samples: