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Title: Beauty Around Us Composer: Greg Smith Based on text by: Bernhard Severin Ingemann Instrumentation: Piano (easy) Product medium: PDF score     Related products:     – Beauty Around Us (piano version)     – Beauty Around Us (easy piano version)     – Beauty Around Us (mp3) SAMPLE:    

“When you’re young, you can be taken with the impulse of the moment and the beauty of a phrase, but the older you get, the more you see that the phrase is only beautiful because of the context within which it works.  The melody is only the outward manifestation of something quite deep inside and […]

“Sibelius and his wife Aino were in Gothenburg for a concert, the composer disappeared shortly before he was due to conduct.  Aino found him, immaculately dressed in his white tie and tails, drinking champagne and eating oysters at a nearby cafe.  Returning with him to the venue, she thought her husband was fine until he […]

“Most music is metaphor, but Wolff is not. I am not metaphor either. Parable, maybe. Cage is sermon.” – Morton Feldman, American composer Cited in Tom Johnson, Remembrance, September 1987. Accessed 11 May 2013.

Brahms was rehearsing his F minor piano quintet. But when they reached the Andante, the strings played too fast to suit Brahms. This had happened once before in an early rehearsal of the same work, and the composer had discovered a tactful way of handling the situation.  Instead of criticizing, he called: "Just a moment, […]

Title: Lullaby for Ben Composer: Greg Smith Instrumentation: Piano Product medium: PDF score

Composer: Greg SmithTitle: Meditation IIInstrumentation: PianoPerformer: Greg Smith (November 2010)Product medium: MP3 recording Your user agent does not support the HTML5 Audio element. Sheet music

Harpsichordist  Jane Chapman performs both early music and Avante music, including using techniques to use distortion on the harpsichord! “Many early music people are interested in contemporary music, too, and many composers are also interested in early music instruments because they don’t have the baggage of the [classical and romantic periods]. Increasingly, younger generation composers […]

From pure sensation to the intuition of beauty, from pleasure and pain to love and the mystical ecstasy and death—all the things that are fundamental, all the things that, to the human spirit, are most profoundly significant, can only be experienced, not expressed. The rest is always and everywhere silence. After silence that which comes […]

In the ninteenth century, the piano was not only regarded as a musical instrument but as a part of the decor a room. An article in The Musical Times in February 1893 describes some possible applications: Placed near a bay window, it shuts in the cosiest lovers’ next imaginable. Soft-cushioned window seats that have room […]