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Merlin the Wizard
Title: Merlin the Wizard Composer: Greg Smith Instrumentation: Piano Duet Level: 2 Product medium: PDF score
Piano
Ringo Starr
Is Ringo Starr the best drummer in the world? He’s not even the best drummer in the Beatles. Reporter and John Lennon. Source: Jarski, Rosemarie (2005) Great British Witt.  London: Ebury Press, p.257.
Tchaikovsky’s compositional process
“You ask if in composing this symphony I had a special programme in view. To such questions regarding my symphonic works I generally answer: nothing of the kind. In reality it is very difficult to answer this question. How interpret those vague feelings which pass through one during the composition of an instrumental work, without […]
The soul and speech
“There is no real teacher who in practice does not believe in the existence of the soul, or in a magic that acts on it through speech.” Allan Bloom (1987) The closing of the American mind: How higher education has failed democracy and impoverished the souls of today’s students.  New York: Simon Simon and Schuster, […]
Super-Hooper-Dyne Lizzies
Your Ways, O Lord, are Love and Truth – Psalm 24 (25)
TITLE: Your Ways, O Lord, are Love and Ruth TEXT: Psalm 24 (25):4-9 COMPOSER: Greg Smith INSTRUMENTATION: SATB and piano (unison verses) PRODUCT MEDIUM: PDF score and part SAMPLE:  
The Lord Has Revealed To All Nations His Saving Power (Setting ii) – Psalm 97 (98)
Title: The Lord has revealed to all nations his saving power (Setting ii) Text: Psalm 97 (98): 1-4. R. cf. v.2 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
Aim above the mark
“If you would hit the mark, you must aim a little above it; Every arrow that flies feels the attraction of earth.” Henry Wadsworth Longfellow (1807-1882), American poet.
My tempo must be followed
Ravel was very particular about how his works were performed.  Ravel always insisted that the tempo for Boléro should be moderate and rigorously maintained throughout.  He made a recording of that, too establishing his requirement.  Toscanini took it much faster and made an accelerando towards the end.  Ravel, who was in the audience, objected.  He […]