Welcome to Wedgebill Music, the home page of Greg Smith, Australian composer and pianist.

PUBLICATIONS
Sheet music
Recordings

COMPOSITION SERVICES
Composition
Arrangement & Orchestration
Transcription

EDUCATION AND RESEARCH
Tuition (piano, aural, harmony, analysis, music history)
Analysis
Anecdotes
Articles, papers, and program notes
Quotes
Research services

COLLABORATIVE PIANO
Accompaniment and solo performance

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Latest recordings

Latest anecodotes

Latest Quotes


Featured content

The life of a pianist
My life involves endless hours of repetitive and frustrating practising, lonely hotel rooms, dodgy pianos, aggressively bitchy reviews, isolation, confusing airline reward programmes, physiotherapy, stretches of nervous boredom … punctuated by short moments of extreme pressure …perhaps most crushingly, the realisation that I will never, ever give the perfect recital. It can only ever, with […]
In Memory of Those in Paradise
Title: In Memory of  Those in Paradise   Composer: Greg Smith Instrumentation: Cello and piano Product medium: PDF score SAMPLE:
Horowitz’s stringent requirements
When Vladimir Horowitz performed in Japan: …. a kitchen had to be built in his suite because he insists that all his meals – fish or chicken only – be taken there. The electrical wiring ran afoul of Tokyo fire laws, requiring new wallpaper and a special floor. Several critics suggested in a music journal […]
Daydream
Title: Daydream Composer: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part SAMPLE: 
The weird people
“Blessed are the weird people–poets, misfits, writers, mystics…painters & troubadours–for they teach us to see the world through different eyes.” — Jacob Nordby Jacob Nordby (2016) Blessed are the Wierd: A Manefesto for Creatives, Boise: Manifesto, Publishing House, p.8.
Gershwin’s playing (and sense of humour)
The composer Burton Lane describes George Gershwin’s playing: You could feel the electricity going through the room when he played.  He could transpose into any key with the greatest of ease.  He had total command of what he was doing.  Musical surprises, unusual changes of keys.  He was one of the few composers who had […]
Sondheim on the language of music
American composer and lyricist Stephen Sondheim has released a book Finishing the Hat: The Collected Lyrics of Stephen Sondheim, with Attendant Comments, Principles, Heresies, Grudges, Whines and Anecdotes.  The following is an extract from interview an article on Sondheim by Emma Brockes: Initially a maths student at Williams College in Massachusetts, the young Sondheim took […]
Relationship with the muse
I need time to be idle in order to experience and romance my muse, Music, my lifelong partner. In some ways, when I think about the enforced thirty minute practice sessions and much-resented violin lessons during Friday recess which introduced us during my early childhood, our story feels a bit like the plot of a […]
A good performance
A good performance is one that moves me. But it is not only the passion and emotion expressed in a performance that move me, it is also allowing the clarity of the structure, as well as the different characters, to shine through, a well-judged balance, a sense of architecture of the whole piece and, at […]
The English and music
“The English may not like music, but they absolutely love the noise it makes.” – Sir Thomas Beecham Cited in: Jarski, Rosemarie (2005) Great British Wit.  London: Ebury Press, p. 198.