Welcome to Wedgebill Music, the home page of Greg Smith, Australian composer and pianist.

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Featured content

The silent bass clarinet
During a rehearsal of Schubert’s Unfinished Symphony: Stokowski had inserted a gratuitous part for bass clarinet. “It so happens,” wrote O’Connell, “that the player of this instrument was a quite temperamental gentleman as well as a composer, and when he saw Stokowski’s addition to Schubert’s score, he was possessed by fury.”  When he expressed his […]
A very specific error indeed
The following is an account of the conductor Hans von Bülow: The newspaper critics Bülow continued to despise because of their self-importance, and he lost no opportunity to expose their musical ignorance.  On one occasion, Bülow, at a public rehearsal in the Philharmonie, remarked upon a printing error in the second horn part of the […]
An artist’s personal growth
Funnily, my deep conviction is that no idea or concept of true artistic importance can be imparted or transferred. The real things are those that you grow yourself in your own garden, without anyone overseeing. In that sense art is the land of absolute sole responsibility. There is nothing that cannot be challenged, but in […]
Is it worth writing?
“Never compose anything unless the not composing of it becomes a positive nuisance to you.” Gustav Holst Cited in: Classic FM, May 2011
Other terms 2
Go to more crosswords
Feel creates thought
Feeling creates thought, men willingly agree; but they will not so willingly agree that thought creates feeling, though this is scarcely less true. — Nicolas Chamfort (Sébastien-Roch Nicolas de Chamfort) S. Chamfort, Maxims and Considerations of Chamfort, Volume 2, Trans. E. Mathers, Golden Cockerel Press, 1926, p. 22.  
The ideal and the played performance
Some conductors put all the emphasis on the melodic line, while others are fanatics about rhythm, but there are very few conductors who are uniquely able to look at the score and hear every part before it actually happens. With the very best of conductors, it’s as though there are two performances going on simultaneously. […]
Improvising a fugue
On 1 May 1747, Bach met Friedrich II, King of Prussia, in the Potsdam city palace (where chamber music was usually played from 7-9pm daily).  Johann Forkel recalled: in 1802 The king used to have every evening a private concert, in which he himself generally performed some concertos on the flute.  One evening, just as […]
Dividing the concert takings
In 1866 Brahms and the violinist Joachim gave a concert tour through Switzerland.  One of their concerts was in Aarau. After the program, Brahms and Joachim went to a tavern, where they opened several bottles of the best vintage Swiss wine, including the popular vin mousseux of Lausanne.  Brahms felt decidedly genial. “How did we […]
Debussy’s recreational activities
Often at the end of the day Gaby [Debussy’s lover] would discover that they had a little money left over and then they would go out to a café, or circus, or to watch a billiards match. Debussy was very fond of the game. At the circus he loved the clowns and was as excited […]