Welcome to Wedgebill Music, the home page of Greg Smith, Australian composer and pianist.

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Featured content

Learn my name
Stokowski’s ability to inspire musicians was sometimes balanced by the ability to turn them off.  Saidenberg altered me to a remarkable violinist who quit the Philadelphia Orchestra and went on to become America’s greatest authority on constitutional law.  “Raoul Berger was a wonderful violinist in the Philadelphia Orchestra.  One day at rehearsal, Stoki stopped the […]
Tchaikovsky at Cambridge
In 1893, Tchaikovsky was awarded an honorary doctorate at Cambridge University. Charles Villiers Stanford was involved organising the occasion. He recalled: “In the spring of 1892 we set on foot the organization of the movement to celebrate the Jubilee of the University Musical Society in 1893. The first step taken was the invitation of Verdi […]
Following the crowd
“The man who follows the crowd will usually get no further than the crowd. The man who walks alone is likely to find himself in places no one has ever been before.” Alan Ashley-Pitt (Francis Phillip Wernig) Cited in: Eda LeShan (1973) The Wonderfujl Crisis of Middle Age.  New York: Warner Books, p. 304.
What drives the wise
“There is hardly any treatise which could be too learned for me. I have not the slightest pretension to what is properly called erudition. Yet from my childhood I have striven to understand what the better and wiser people of every age were driving at in their works. Shame on an artist who does not […]
Abstraction XVII
Title: Abstraction XVII Composer: Greg Smith Performer: Greg Smith (April 2020) Instrumentation: Piano Product medium: MP3 recording Related products:– Abstraction XVII (PDF score)
Bach’s method of keyboard teaching
The teaching methods of Johann Sebastion Bach are recounted by his son, Philip Emanuel Bach: The first thing he did was to teach his pupils his special ways of touching the keyboard. For this he made them practice for months nothing but separate exercises for all the fingers of both hands, with constant attention to […]
Part of Your World
“Any Broadway musical would be lucky to include a single number this good.” — Janet Maslin, in The New York Times on Alan Menken/Howard Ashman’s “Part of Your World,” from The Little Mermaid.  Darryn King, “Alan Menken: The Man Who Relaunched Disney’s Fortunes with Songs,” The Sydney Morning Herald, 16 July, 2016. http://www.smh.com.au/good-weekend/alan-menken-the-man-who-relaunched-disneys-fortunes-with-hit-songs-20160714-gq5o6v.html. Accessed 16 July 2016.
Lullaby for Berkeley
Title: Lullaby for Berkeley Composer: Greg Smith Instrumentation: Piano duet Level: Piano I – Level 1 (5 finger hand position, left and right hands) Product medium: PDF score & MP3 accompaniment track SAMPLES: (Audio sample of accompaniment track only)
Beethoven as a boy
In his Beethoven: Biography of a Genius, Marek provides an insight into Beethoven as a boy: The boy was looking out of the window, his head cradled in his hands.  His mien was serious, his glance rigid. Cäcilia Fischer came along the courtyard and saw him. “How are you, Ludwig?” she shouted up to him.  […]
Rorem’s affinity with French music
“Bartók’s music as a whole is a music I never think about when its not around.  It’s impeccable, it’s theatrical, it’s even great.  It dazzles, thrills, horrifies, sometimes irritates, but also moves me.  But I’m not touched by it, as by, for instance, the outset of the quartet by Ravel – Ravel, supposed to be […]