Welcome to Wedgebill Music, the home page of Greg Smith, Australian composer and pianist.

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COLLABORATIVE PIANO
Accompaniment and solo performance

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Featured content

A pen and a hen
“A pen is to me as a beak is to a hen.” John Ronald Reuel Tolkien, in an interview with Philip Norman. “The Prevalence of Hobbits”, The New York Times, 15 January 1967, http://movies2.nytimes.com/books/01/02/11/specials/tolkien-mag67.html (accessed 20 July 2020)
Tchaikovsky at Cambridge
In 1893, Tchaikovsky was awarded an honorary doctorate at Cambridge University. Charles Villiers Stanford was involved organising the occasion. He recalled: “In the spring of 1892 we set on foot the organization of the movement to celebrate the Jubilee of the University Musical Society in 1893. The first step taken was the invitation of Verdi […]
The ideal and the played performance
Some conductors put all the emphasis on the melodic line, while others are fanatics about rhythm, but there are very few conductors who are uniquely able to look at the score and hear every part before it actually happens. With the very best of conductors, it’s as though there are two performances going on simultaneously. […]
Art isn’t your pet
"Art isn't your pet – it's your kid.  It grows up and talks back to you."  Joss Whedon, screenwriter
The reach of art
“Art — reaches out to one specific person (even and especially if that person is imaginary.” Todd Brison, “A Warning Letter to All Writers”, Medium, 25 August 2020, https://medium.com/better-marketing/a-warning-letter-to-all-writers-df00d53f8795, accessed 4 September 2020.
Stokowski’s first rehearsal with the Philadelphia Orchestra
On Stokowski’s first rehearsal with the Philadelphia Orchestra: From Oscar Schwar, a fellow faculty member at Curtis who became my friend, I heard the details of Stokowski’s first contact with the orchestra.  He would never forget, he said, that Monday morning of October 7, 1912, when an amazingly young and handsome Stokowski, wearing a light […]
From the heart
“What comes from the heart, goes to the heart.” — Samuel Coleridge Taylor, English poet, critic and philosopher. Coleridge, Samuel (1856) Seven Lectures on Shakespeare and Milton. London: Chapman and Hall, page xlv
Music is the real life
In modern life electricity plays a great part.  Sometimes it is used destructively – sometimes creatively – but there is another power which is like electricity, only far more subtle and penetrating.  This power is all-pervading.  It is omnipresent.  If we understood this power we would know the secret of the magical influence of music.  […]
On Artur Schnable’s playing
Artur Schnabel is a pianist unlike any other. One is conscious in listening to him of a powerful and original mind revealing unsuspected meanings and complications in music as familiar as Brahms’s Intermezzi and Beethoven’s ‘Waldstein’ Sonata. His tone is a rule dry in anything above a piano, but a sudden touch of the pedal […]
Music as an emotional science
Music sets up a certain vibration which unquestionably results in a physical reaction. Eventually the proper vibration for every person will be found and utilized. I like to think of music as an emotional science. — George Gershwin Daniel Albright. Modern and Music: An Anthology of Sources. Chicago, The University of Chicago Press, p. 388.