Welcome to Wedgebill Music, the home page of Greg Smith, Australian composer and pianist.

PUBLICATIONS
– Sheet music
– Recordings

COMPOSITION SERVICES
– Composition
– Arrangement & Orchestration
– Transcription

EDUCATION AND RESEARCH
– Tuition (piano, aural, harmony, analysis, music history)
– Analysis
– Anecdotes
– Articles, papers, and program notes
– Quotes
– Research services

COLLABORATIVE PIANO
– Accompaniment and solo performance

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Featured content

Try, try, try
“Try, try, try, and keep on trying is the rule that must be followed to become an expert in anything.” – W. Clement Stone, American businessman
Instrumental stereotypes
Insider jokes are not just for White House Correspondents’ Assn. Dinners or ESPN kibitzers or Academy Awards emcees. They also crop up in discussions about symphony orchestra musicians — a society unto itself. There are jibes and even sober-minded studies that characterize personality types according to the instruments they play. Who are the string players? […]
A bewitched recording
Early phonograph recordings were a little rough.  In 1889, pianist Hans von Bülow was asked to play into a phonograph in America: After playing upon a pianoforte, from which issued sounds compared to the soft and dreamy gurgle of a brook, the far-off sighign of the night wind and the roar of the cataract, he […]
Beethoven’s piano
Franz Liszt owned Beethoven’s Broadwood piano.
Knowing is not enough
“Knowing is not enough; we must apply. Willing is not enough; we must do.” Johann Wolfgang von Goethe, German poet and philosopher Cited at: QuotationsBook
1.1: The Fundamental Vibration of Nature
1In 1994, Dr. Masaru Emoto began taking photos of ice crystals. What he found was that environmental surroundings had different effects on the nature of the crystals. The crystals formed at Mt. Fuji, for example, had a different structure to those found at the Rocky Mountains. He then extended this study to include a study […]
Improvising a fugue
On 1 May 1747, Bach met Friedrich II, King of Prussia, in the Potsdam city palace (where chamber music was usually played from 7-9pm daily).  Johann Forkel recalled: in 1802 The king used to have every evening a private concert, in which he himself generally performed some concertos on the flute.  One evening, just as […]
It’s two-four … It’s three-four
Chopin had a free sense of rhythm.  In 1842, Chopin was giving a lessen to Wilhem von Lenz when Meyerbeer walked in.  The Mazurka (op. 33 no. 3) was being played.  von Lenz recounts: Meyerbeer had seated himself; Chopin let me play on. “That is two-four time,” said Meyerbeer. For reply, Chopin made me repeat, […]
A motorboat experience
Rachmaninoff was a great lover of motorboating and used to go out every day.  He always steered himself.  Often he went out alone.  This hobby of his nearly proved fatal during that stay of ours.  About an hour before dinner he said: “I think I shall go for a spin on the lake.” He got […]
Rossini and food
“After doing nothing, I know no more delightful occupation of eating, eat properly, I mean. The appetite is for the stomach what love is for the heart. The stomach is the choirmaster who governs and operates a large orchestra of the passions. An empty stomach is the bassoon or flute in which discontent grumbles or […]