Welcome to Wedgebill Music, the home page of Greg Smith, Australian composer and pianist.

PUBLICATIONS
– Sheet music
– Recordings

COMPOSITION SERVICES
– Composition
– Arrangement & Orchestration
– Transcription

EDUCATION AND RESEARCH
– Tuition (piano, aural, harmony, analysis, music history)
– Analysis
– Anecdotes
– Articles, papers, and program notes
– Quotes
– Research services

COLLABORATIVE PIANO
– Accompaniment and solo performance

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Featured content

Karajan and direction
Seiji Ozawa recalls Karajan’s overarching concept of music: I really shouldn’t start comparing Karajan and Bernstein. I’m thinking of the word “direction” – the direction of the music. In Maestro Karajan’s case, he had it from birth – the ability to make long phrases. It was something he taught us, the ones who studied with […]
The Brainy Baboon
“There once was a brainy baboon who always breathed down a bassoon for he said, It appears that in billions of years I shall certainly hit on a tune.” -Ezra Pound – American poet, musician and critic Cited at: QuotationsBook  
The origin of the interval
Plays in the Jacobean period (16th century England) were divided into acts to enable the theatre company to manage the candles. Source: Martin White, University of Bristol. “Shakespeare by Candlelight”, The Times, Cited in The Australian, 30 November 2012.
Positive change through creativity
You need something like Sesame Street to sort of increase the volume of good in the world. And also to know that through creativity, you can make change. Positive change can occur if you’re willing to see a problem and try to fix it and do it creatively. — Trevor Crafts Steve Rose, “The Secret […]
Accomplishing great things
“To accomplish great things we must first dream, then visualize, then plan… believe… act!” – Alfred Montapert, Author Cited at: QuotationsBook
Music which never leaves
‘”Great music is that which penetrates the ear with facility and leaves the memory with difficulty.  Magical music never leaves the memory.” Sir Thomas Beecham Speech, c.1950, quoted in The Sunday Times, 16 September 1962
An experiment in the colours of keys
The relativity of all these key-colour associations was illustrated during a debate on the whole subject organised in London in 1886 by the Journal “Musical Opinion”. That section of the audience that maintained the definite existence of “key colour” by which it could aurally identify a key was submitted to a test, a well known […]
Liszt’s account of a performance by Chopin
Franz Liszt described one of Chopin’s concerts in the Gazette musicale, May 2 1841. Last Monday, at eight o’clock in the evening, M. Pleyel’s rooms were brilliantly lighted up; numerous carriages brought incessantly to the foot of a staircase covered with carpet and perfumed with flowers the most elegant women, the most fashionable young men, […]
Art and the strength of the former times
In 1824, Schubert wrote a letter to his friend Schober concerning a general complacency about the role of art at the time: The idle time, which hinders the fulfillment of all greatness, destroys me too. Even golden verse is foolishly mocked by the people, no longer attentive to its powerful message. Only by the gift […]
Brahm’s introduction in Vienna
in 1862, Brahms called to see Julius Epstein, a professor at the Vienna Conservatory. “Joachim tells me – ha! – that you have written some really interesting music. Sent me your piano sonata in F minor to look over. Bring any new compositions with you?” he added, noticing Johanne’s portfolio. “I have two piano quartets […]