Welcome to Wedgebill Music, the home page of Greg Smith, Australian composer and pianist.

PUBLICATIONS
– Sheet music
– Recordings

COMPOSITION SERVICES
– Composition
– Arrangement & Orchestration
– Transcription

EDUCATION AND RESEARCH
– Tuition (piano, aural, harmony, analysis, music history)
– Analysis
– Anecdotes
– Articles, papers, and program notes
– Quotes
– Research services

COLLABORATIVE PIANO
– Accompaniment and solo performance

Latest Scores

Latest recordings

Latest anecodotes

Latest Quotes

Featured content

Art is an immense forest
In the world, in life, and in nature, there is nothing but beautiful tales, and when the door opens, enter and accept it with all your soul. Art is an immense, eternal forest, where the trees stand as sparsely or as densely as you wish. The moon, sun and all kinds of glittering stars move […]
Wexford Carol (SATB and organ)
Title: Wexford Carol Text: 12th century Irish Composer: 12th century Irish, arr. Greg Smith Instrumentation: SATB and piano     Related products:     – Wexford Carol – SATB and piano (PDF score) Product medium: PDF score and parts Sample:
Vaughan Williams on an authentic performance of Bach
Vaughan Williams gave a broadcast talk on Bach entitled “Bach the Great Bourgeois.” It was later published in The Listener. Vaughan Williams, who was involved in performances of works such as Bach’s St. Matthew’s Passion as part of the Leith Hill Festival, offered some insight in contemporary approaches to Bach performance: WHEN I was a […]
Composition services
It must be resolved
Bach, a master of harmony and counterpoint, would not settle for imperfect sounds, no matter where he was.  Johann Reichardt recalled: Johann Sebastian Bach once came into a large company while a musical amateur was sitting and improvising at a harpsichord.  The moment the latter became aware of the presence of the great master, he […]
Debussy on pedalling in Chopin
Despite my respect for Saint-Saëns’ age, what he says about Chopin’s pedalling isn’t entirely true. I have very clear memories of what Mme Mauté de Fleurville told me. He (Chopin) recommended practising without pedal and, in performance, not holding it on except in very rare instances. It was the same way of turning the pedal […]
Heard but not seen
In 1926, conductor Leopold Stokowski inserted the following into the Philadelphia Orchestra programs: The great conviction has been growing in me that the orchestra and conductor should be unseen, so that on the part of the listener more attention will go to the ear and less to the eyes. The experiment of an invisible orchestra […]
Lord, You Are Good and Forgiving (Setting II) – Psalm 85 (86)
Title: Lord, you are good and forgiving (Setting II) Text: Psalm 85 (86): 5-6, 9-10, 15-16 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
Mattheson on the allemande
An allemande is a stately processional couple dance. The dances formed lines of couples, extended their hands, and moved forward and backward throughout the ballroom. It was a common stylised dance in baroque music. Johann Mattheson described it in 1739: Now the allemande is a broken, serious, and well constructed harmony, which is the image […]
Mozart the philosopher
On February 19 1786 Mozart attended a masked ball disguised as an Indian philosopher. He distributed pamplets with riddles. One of the riddles was: If you are poor but clever, arm yourself with patience, and work hard. If you do not become rich, you will at least remain clever. – If you are an ass […]