Welcome to Wedgebill Music, the home page of Greg Smith, Australian composer and pianist.

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Featured content

A typical recital in England in 1897
John E. Borland described in a paper of June 1897: It was customary to commence with a Bach prelude and fugue (usually perverted from one intended for the organ), a Beethoven sonata (choice limited to four or five), some Chopin pieces (there were about twelve orthodox ones to select from), and a Liszt rhapsody. These […]
Rachmaninoff and colour
A student of Rachmaninoff, Ruth Slenczynska: was practising one of Rachmaninov’s preludes when he asked her to join him at the window. It was springtime in Paris, and the avenues were lined with mimosa trees laden with fluffy, golden blossoms. “He said: ‘You see that? That’s what you want to bring to your sound – […]
Heard but not seen
In 1926, conductor Leopold Stokowski inserted the following into the Philadelphia Orchestra programs: The great conviction has been growing in me that the orchestra and conductor should be unseen, so that on the part of the listener more attention will go to the ear and less to the eyes. The experiment of an invisible orchestra […]
Let the Lord Enter – Psalm 123 (124)
TITLE: Let the Lord Enter (Setting II) TEXT: Psalm 23 (24): 1-6. R. vv.7, 10 COMPOSER: Greg Smith INSTRUMENTATION: SATB and piano PRODUCT MEDIUM: PDF score and part SAMPLE:  
Fill Us With Your Love, O Lord – Psalm 89 (90)
Title: Fill us with your love, O Lord Text: Psalm 89 (90): 12-17. R. v.14 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part SAMPLE: .
The Great Collapse (The Boy and the Heron)
Composer: Joe Hisaishi Arranger: Greg Smith Title: “The Great Collapse”, from The Boy and the Heron Instrumentation: Piano Solo Available from Sheet Music Direct and Sheet Music Plus.
Application of talent
“…all talent, all application will not suffice if one’s whole life is not directed towards being a mediator of great thoughts and feelings. Every deed, yes, every thought leaves its trace on the personality. One must live a life of purity in every detail, even down to the morsel one is putting into one’s mouth. […]
Tears in art
In art there are tears that do often lie too deep for thoughts. – Louis Kronenberger L. Kronenberger, Company Manners: A Cultural Inquiry into American Life, Indianapolis, Bobbs-Merrill, 1954, p. 42.
Pablo Casals’ obligation
“I am a very simple man. I am a man first, an artist second. My first obligation is to the welfare of my fellow man. I will endeavour to meet this obligation through music, since it transcends language, politics and national boundaries.” – Pablo Casals, Spanish cellist. Source: pablocasals.com. Accessed 22 Jan 2013.
A specialized skill set
“You know I’m a useless kind of man apart from my music.” – Tchaikovsky Cited in: Hanson, Lawrence and Elisabeth (1965) Tchaikovsky: A New Study of the Man and His Music.  London: Cassell & Company, p.179.