Welcome to Wedgebill Music, the home page of Greg Smith, Australian composer and pianist.

PUBLICATIONS
– Sheet music
– Recordings

COMPOSITION SERVICES
– Composition
– Arrangement & Orchestration
– Transcription

EDUCATION AND RESEARCH
– Tuition (piano, aural, harmony, analysis, music history)
– Analysis
– Anecdotes
– Articles, papers, and program notes
– Quotes
– Research services

COLLABORATIVE PIANO
– Accompaniment and solo performance

Latest Scores

Latest recordings

Latest anecodotes

Latest Quotes

Featured content

The healing power of creativity
So creativity helps us to be seen, expressed, and healed. This is fantastic! But I just recently had a bit of an epiphany and tapped into a deeper truth while talking with my old love. Being expressed, healed, and seen is actually a service to humanity. A gift to the world. When we are expressed, […]
Men of genius
“Men of genius are often dull and inert in society; as the blazing meteor, when it descends to earth, is only a stone.” Henry Wadsworth Longfellow (1849), Kavanagh, London: George Slater, p.49.  https://books.google.com.au/books?id=i8ENAAAAQAAJ&pg=PA1#v=onepage&q&f=false, accessed 4 September 2021.
Hope
“Hope is the dream of a soul awake.”— French proverb. R. A. Krieger, Civilization’s Quotations: Life’s Ideal, New York, Algora Publishing, 2002, p.151. 
Satie on La Mer
At the 1905 premiere of La Mer, one of whose movements is called “From Dawn to Midday on the Sea”, Debussy received the usual post-performance congratulations. Satie’s deflating comment was, “Ah, my dear friend, there’s one particular moment between half past ten and a quarter to eleven that I found especially stunning.” Levison, B. (2015). […]
Reactions to classical music
The only way to take classical music out of the museum is to stop playing it in a museum.  The adventurous cellist Matt Haimovitz said as much recently, when he toured dive bars, pizza parlours, and roadhouse juke joints with the [Bach] Cello Suites.  “People were reaction to the music as it was going by,” […]
A monkey on his shoulder
Cellist Walter Joachim spend some time in Calcutta, India. He recalled: “I bought a monkey with which to amuse myself. We played. He was sitting on my shoulders for hours when I was practising.” Joachim practised at least one or two movements of a Bach suite. “I started my day usually with Bach or a […]
Debussy’s recreational activities
Often at the end of the day Gaby [Debussy’s lover] would discover that they had a little money left over and then they would go out to a café, or circus, or to watch a billiards match. Debussy was very fond of the game. At the circus he loved the clowns and was as excited […]
Piotr Anderszewski on interpretation
To me it’s all about how you read and translate the music you play: the most important thing is to reach the point where you feel you understand what happened in the composer’s mind before he actually wrote it. Musical notation is a very sophisticated yet imperfect system; it was the only way for the […]
Mozart on rubato in adagios
In 1777, Mozart visited Heir Stein in Ausburg (1). According to Mozart, Stein had stated that no-one has ever played his Piano Forte as well as I have, and, besides, I always keep correct time. They are all wondering about that. They simply can’t believe that you can play a Tempo rubato in an Adagio, […]
Opportunities
No man can tell what the future may bring forth, and small opportunities are often the beginning of great enterprises. —  Demosthenes, Ad Leptinem, 162 Harbottle, Thomas Benfield (1897) Dictionary of Quotations (Classical).  London: S. Sonnenschein & co, p. 51.  Digitally archived at https://archive.org/details/dictionaryofquot00harbiala/page/511/mode/2up, accessed 12 September 2021.