Welcome to Wedgebill Music, the home page of Greg Smith, Australian composer and pianist.

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– Sheet music
– Recordings

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– Arrangement & Orchestration
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EDUCATION AND RESEARCH
– Tuition (piano, aural, harmony, analysis, music history)
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– Articles, papers, and program notes
– Quotes
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COLLABORATIVE PIANO
– Accompaniment and solo performance

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Featured content

Bernstein on immersive performance
It happens because you identify so completely with the composer, you’ve studied him so intently, that it’s as though you’ve written the piece yourself. You completely forget who you are or where you are and you write the piece write there. You just make it up as though you never heard it before. Because you […]
Growing up in a bell tower
Czech composer Bohuslav Martinů was born and spent most of his childhood in a church tower in Polička, on the borders of Bohemia and Moravia.  Martinů recalled that the panoramic view encapsulated “the vast and boundless space I am always searching for in my music.” Source: Calum MacDonald, “Bohuslav Martinů”, BBC Music, August 2009, p.44.
Mack the Knife
Bobby Darin’s 1959 recording of “Mack the Knife” from The Threepenny Opera (Lyrics: Bertolt Brecht; Music: Kurt Weill) not only hit number one on the charts, but was also the first non-R&B pop hit for Atlantic Records and helped establish the label’s future. Source: Creswell, Toby (2005) 1001 Songs: The Great Songs Of All Times. […]
Cry Out With Joy and Gladness – Isaiah 12
Title: Cry out with joy and gladness Text: Isaiah 12:2-6 Composer: Greg Smith Instrumentation: SATB and piano (unison verses) Product medium: PDF score and part SAMPLE:    
Determination not to be hurried
“Nothing can be more useful to a man than the determination not to be hurried.” – Henry David Thoreau
Piotr Anderszewski on interpretation
To me it’s all about how you read and translate the music you play: the most important thing is to reach the point where you feel you understand what happened in the composer’s mind before he actually wrote it. Musical notation is a very sophisticated yet imperfect system; it was the only way for the […]
The piano as furniture
In the ninteenth century, the piano was not only regarded as a musical instrument but as a part of the decor a room. An article in The Musical Times in February 1893 describes some possible applications: Placed near a bay window, it shuts in the cosiest lovers’ next imaginable. Soft-cushioned window seats that have room […]
In critique, then in praise of Bach
The dilemma of “old” versus “new” style is evident in the comments of the Johann Adolf Scheibe in reference to his elder fellow musician, Johann Sebastian Bach. In 1737, 29-year old Scheibe write in The Critical Musician: A musical composition must naturally be pleasant and tickle the ear, it must also please the reason … […]
Art to be virtuous
Any artist knows that the space between the stage where the work is too unformed to have committed itself and the stage where it is too late to improve it can be as thin as a needle.  Genius perhaps consists in opening out this needle-like area until it covers almost the whole of the working […]
Abstraction IV
Title: Abstraction IV Composer: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part SAMPLE: