Beauty captivates the flesh, seeking permission to pass directly to the soul. — Simone Weil S. Weil, G Panichas (ed.) The Simone Weil Reader, New York, McKay, 1977, p. 378.

American composer Aaron Copland discusses the influence of Jazz on his musical style: was a very important influence at one time. I wrote a Piano Concerto in 1927 which was largely based on jazz materials. Jazz, of course, is for us a very typical American musical expression, which we have not so successfully been able […]

Title: Abstraction IV Composer: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part SAMPLE:

Reverie II Composer: Greg Smith Instrumentation: Piano (left hand) Product medium: PDF score

British conductor Thomas Beecham was not too impressed with early recording technology (the gramophone): It was put to him that for people who lived in remote districts, far from orchestral concerts, the gramophone was an alternative: "It is no alternative to this," he said, waving his arm towards the hall, where the orchestra was waiting […]

A letter from the conductor Leopold Stokowski to Sylvan Levin gives an insight into his sense of humour: Caro Maestro Illustre, Now that you have not a thing to do!!!!! Do you think you would have time to do me a favor and time the whole of Parsifal without cuts?  I suggest you do this […]

“I am a very simple man. I am a man first, an artist second. My first obligation is to the welfare of my fellow man. I will endeavour to meet this obligation through music, since it transcends language, politics and national boundaries.” – Pablo Casals, Spanish cellist. Source: pablocasals.com. Accessed 22 Jan 2013.

John Holmes “reiterates that only with a large group can you get a truly soft sound. Sure, a solo fiddle can hold its own against a hundred fiddles: a hundred fiddles are never a hundred times louder than a solo at the same dynamic, since there’s no such animal as “a same dynamic,” or even […]

Title: The precepts of the Lord give joy to my heart Text: Psalm 18 (19): 8-11. R. c. Jn 6:68 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:    

Boyd Neel was the first conductor to record Vaughan William’s Fantasia on a Theme of Thomas Tallis in 1935. He wrote: I often feel that this wonderful work is perhaps the greatest of all achievements in string orchestral composition. Boyd Neel (1986) The Story of an Orchestra. London: Vox Mundi, p.22. Cited in: Holmes, John […]