The conductor Leopold Stokowski had a love hate relationship with his audience: He wooed them and cajoled them, flattered them and then gently reproved them.  When they grew fidgety, he shamed them into attentiveness and concentration.  “Please don’t do that,” he once admonished an audience of program shufflers.  “We work hard all week to give […]

My approach is to sit with the score and make my decisions about what Andante means or what piano means in a certain context; often you go back to recordings and find that nobody’s ever really played it that way. You ask yourself ‘Why is that? Did I misread or misinterpret something? Or is this […]

George Plimpton, a writer and sportsman, asked if he could play in the New York Philharmonic for a month to write about the workings of an orchestra.  Leonard Bernstein assigned him to the percussion section.  The principal percussionist, Walter Rosenberg, recalled his experience: During rehearsals I would lean over and point to where we were […]

“Great intellects are skeptical.” – Friedrich Nietzsche, Antichrist, 54.  Digitally archived at https://www.gutenberg.org/files/19322/19322-h/19322-h.htm, accessed 12 September 2021

I never use a score when conducting my orchestra. Does a lion tamer enter a cage with a book on how to tame a lion? — Dimitri Mitropoulos, conductor Zographos, Achilleas (2017) Music and Chess. Milford: Russell Enterprises Inc.

Title: One Week (silent film soundtrack) Composer: Greg Smith Performer: Greg Smith Instrumentation: Piano Product medium: MP3 score (22:24) BACKGROUND: Film: Directors: Edward F. Cline & Buster Keaton Starring: Buster Keaton, Joe Roberts, Sybil Seely Date of release: 1920 Synopsis: A newly wed couple receive a generous gift of a house of their own. There’s […]

Mike Brown interviewers musical theatre composer Stephen Sondhiem: When I venture that his songs might suggest that he has a somewhat jaundiced view of love, he momentarily flares into irritation. ‘How can you tell? Every single song I’ve ever written is sung by a character created by somebody else. Some might have a jaundiced view […]

Feeling creates thought, men willingly agree; but they will not so willingly agree that thought creates feeling, though this is scarcely less true. — Nicolas Chamfort (Sébastien-Roch Nicolas de Chamfort) S. Chamfort, Maxims and Considerations of Chamfort, Volume 2, Trans. E. Mathers, Golden Cockerel Press, 1926, p. 22.  

“Success is not a doorway, it’s a staircase.” — Dottie Walters

Title: Elegie I Composer: Greg Smith Instrumentation: Piano Product medium: PDF score and part SAMPLE: