Title: Ode II Composer: Greg Smith Performer: Greg Smith Instrumentation: Piano Product medium: MP3 recording     Related products:     – Ode II (PDF score) SAMPLE:

On Stokowski’s first rehearsal with the Philadelphia Orchestra: From Oscar Schwar, a fellow faculty member at Curtis who became my friend, I heard the details of Stokowski’s first contact with the orchestra.  He would never forget, he said, that Monday morning of October 7, 1912, when an amazingly young and handsome Stokowski, wearing a light […]

Elgar loved his football, particularly the Wolverhampton team.  His friend Dorebella recalled the first match he attended at Wolverhampton: It all delighted him. The dense crowd flowing down the road like a river; the roar of welcome as the rival teams came on to the ground; the shouts of men calling to their player friends […]

This will be our reply to violence: to make music more intensely, more beautifully, more devotedly than ever before.  — Leonard Bernstein, 25 November 1963 Christopher Buchenholz, “An Artist’s Response to Violence”, Leonard Bernard Office, https://leonardbernstein.com/about/humanitarian/an-artists-response-to-violence. Accessed 18 March 2022.

“No matter if you’re an artist, a desk jockey, or anything in between – give yourself permission to include regular (dare I say daily?) reinvigoration in your work ethic. Silence. Slowness. Clarity. The machine doesn’t work so well without them.” Kim Pensinger, from Living and Singing on Interest in the WTO Blog

“…all talent, all application will not suffice if one’s whole life is not directed towards being a mediator of great thoughts and feelings. Every deed, yes, every thought leaves its trace on the personality. One must live a life of purity in every detail, even down to the morsel one is putting into one’s mouth. […]

Title: Du bist die Ruh (You are my Rest) (Op. 59, No. 3) Composer: Franz Schubert Arranger: Greg Smith Instrumentation: Trombone and piano Product medium: PDF score and part Sample:

“Every great work of art has two faces: one toward its own time and one toward the future, toward eternity.” — Daniel Barenboim. Cited in: Barenboim, Daniel & Said, Edward (2002) Parallels and Paradoxes: Explorations in Music and Society. New York: Pantheon Books.

This culmination may be at the end or in the middle, it may be loud or soft; but the performer must know how to approach it with absolute calculation, absolute precision, because, if it slips by, then the whole construction crumbles, and the piece becomes disjointed and scrappy and does not convey to the listener […]

Title: “Sacred Steps” from Song Offerings (Gitanjali) Text: Rabindranath Tagore Music: Greg Smith Instrumentation: SATB Product medium: PDF score Sample: