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Title: Lord, let your mercy be on us Text: Psalm 32 (33): 4-5, 18-19, 20-22. R. v.22 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:

(i) Moderato (C major) (ii) Andantino (A-flat major) (iii) Allegro moderato (f minor) (iv) Moderato (c-sharp minor)/ (v) Allegro vivace (f minor) (vi) Allegretto (A-flat major) In 1929, Oscar Bie reflected on Schubert: That face! . . . It is the face of a teacher, but not of a strict one. The hair curls about […]

“Without music to decorate it, time is just a bunch of boring production deadlines or dates by which bills must be paid.” Frank Zappa, composer Cited at QuotationsBook.  

“I did not want to describe emotions or scenes through music. I wanted to be at a certain distance from the story and the characters, and I wanted to be in between the actual story and what we see on the screen, and the viewers, in terms of writing the music.” — Joe Hisaishi T. […]

Ravel was very particular about how his works were performed.  Ravel always insisted that the tempo for Boléro should be moderate and rigorously maintained throughout.  He made a recording of that, too establishing his requirement.  Toscanini took it much faster and made an accelerando towards the end.  Ravel, who was in the audience, objected.  He […]

Chopin had a free sense of rhythm.  In 1842, Chopin was giving a lessen to Wilhem von Lenz when Meyerbeer walked in.  The Mazurka (op. 33 no. 3) was being played.  von Lenz recounts: Meyerbeer had seated himself; Chopin let me play on. “That is two-four time,” said Meyerbeer. For reply, Chopin made me repeat, […]

“Learn the rules like a pro so you can break them like an artist.” Attributed to Pablo Picasso, painter

Title: The Rink (Silent film soundtrack) Composer: Greg Smith Instrumentation: Piano Product medium: PDF score     Related products:     – The Rink – MP3 soundtrack BACKGROUND: FILM:     Written by: Charles Chaplin, Vincent Bryan & Maverick Terrell     Starring: Charles Chaplin, Edna Purviance, Eric Campbell, Henry Bergman & Albert Austin     Directors: Charles Chaplin & Edward Brewer     Year of release: […]

Mozart’s musical aesthetics are revealed in a letter to his father about Osmin’s first aria in The Abduction of the Seraglio (Die Entführung aus dem Serail).  The Eighteenth century classical ideals of balance and refinement are evident: I have sent you only the beginning and the end of the aria.  I think it will prove […]