Motion and art

“The statue is concentrated in one moment of perfection. The image stained upon the canvas posses no spiritual element of growth or change. If they know nothing of death, it is because they know nothing of life, for the secrets of life and death belong to those, and those only, whom the sequence of time affects, and who possess the present but the future, and can rise or fall from a past of glory or of shame. Movement, that problem of the visible arts, can be fully realized by Literature alone. It is Literature that shows us the body in its swiftness and the soul in its unrest.”

– Oscar Wilde

Cited in: Kindermann,William and Krebs, Harold (ed.) (1996) The Second Practice of Nineteenth Century Tonality. Lincoln: University of Nebraska Press, p. 114.

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New art and the old formulae
An art gathers new material usually by an original rejection of old formulae, a gesture of negation. At the beginning, this gesture is conscious, defiant, it lacks any other reason for existence than the very healthy one that dogma is death. In the turmoil of growth and expansion, this negation and denial loses its identity […]
As good as Paderewsky
“At the end of a dinner he was attending by a lady in Liege, Ysaÿe was asked to listen to a young violinist. Although he felt tired and was longing to go back home he could not but accept his hostess’s request. The young man played several pieces from his repertoire. Then, after a long […]
Abstraction X
Title: Abstraction XComposer: Greg SmithPerformer: Greg Smith (7 August 2010)Instrumentation: PianoProduct medium: MP3Related products:– Abstraction X (PDF score)
The Lord Gave The Bread – Psalm 77 (78)
Title: The Lord gave them bread from heaven Text: Psalm 77 (78):3-4. 23-25. 54 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and parts Sample:
Focus
Concentrate all your thoughts upon the work at hand. The sun’s rays do not burn until brought to a focus. – Alexander Graham Bell Orison Swett Marden, (1901) “Bell Telephone Talk”, How They Succeeded. Boston: Lothrop Publishing Company, p. 38. Digitally archived at https://archive.org/details/howtheysucceeded00mardrich/mode/2up, accessed 11 September 2021.
Joyous art
Art that feels like a duty is probably bad art. But most of the art industry is geared towards foisting that kind of art on us. Bad art changes over the centuries far less than we think. Today’s theory-heavy video installations are often modern equivalents of pompous and moralising Victorian paintings. It’s the joyous, uninhibited […]
An unknown piece by Brahms
An undiscovered piano piece by Brahms (entitled Albumblatt, meaning “sheet music from an album”) has been discovered by Christopher Hogwood at Princeton University. The tune reappears in second movement of Brahms’ Horn Trio, written 12 years later. Alex Needham, “Brahms piano piece to get its premiere 159 years after its creation”, The Guardian, 13 January […]
Imagination disposes and creates
“Imagination disposes of everything; it creates beauty, justice, and happiness, which is everything in this world.” — Blaise Pascal, French mathematician, physicist, and religious philosopher. Ramage, Craufurd Tait (1866) Beautiful Thoughts from French and Italian Authors.  Liverpool: Edward Howell, p.232. Digitally archived at https://play.google.com/books/reader?id=nDErAAAAYAAJ&hl=en_AU, accessed 12 September 2021.
Saint-Saens on Bach and Mozart
“What gives Sebastian Bach and Mozart a place apart is that these two great expressive composers never sacrificed form to expression. As high as their expression may soar, their musical form remains supreme and all-sufficient.” – Camille Saint-Saëns, from a letter to Camille Bellaigue, 1907 Cited in: Fisk, Josiah (ed.) (1997) Composers On Music: Eight […]
Jan Lisiecki on Chopin
Schumann described Chopin’s works as “cannons buried in flowers”.  Contained in Chopin’s music are painful moments, suffering, longing and much drama. Similarly to Mozart, the external impression may be one of pure beauty, elegance, exuberance or joy but, deep down, there is something else entirely, a sort of imprecise discomfort, a certain malaise. The contrast […]