Mozart’s musical aesthetics are revealed in a letter to his father about Osmin’s first aria in The Abduction of the Seraglio (Die Entführung aus dem Serail).  The Eighteenth century classical ideals of balance and refinement are evident: I have sent you only the beginning and the end of the aria.  I think it will prove […]

Title: The just will live in the presence of the Lord (Setting II) Text: Psalm 14 (15):2-5 (setting ii) Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:

I came to think that every notation is already the transcription of an abstract invention. From the instant the pen takes hold of it, the idea loses its original feature. … The invention (Einfall) becomes a sonata, a concerto: it is already an arrangement of the original. From this first transcription to the second, the […]

Title: In Memory of  Those in Paradise   Composer: Greg Smith Instrumentation: Cello and piano Product medium: PDF score SAMPLE:

Title: Alleluia! Sing to Jesus (Hyfrydol) Composer: Rowland Prichard; arr. Greg Smith Text: Rev 5:9; William C. Dix Instrumentation: SATB, brass (hrn, tpt, 2 tb), and organ Product medium: PDF score and parts Samples:

“Culture, the acquainting ourselves with the best that has been known and said in the world, and thus with the history of the human spirit.” Matthew Arnold (poet and scholar), Preface to Literature and Dogma (1873 edition), https://en.wikisource.org/wiki/Literature_and_Dogma/Introduction, accesssed 29 August 2021.

John Barry did not get the chance to see any footage and he had not read any of Ian Fleming’s books when he was called in to work on the music for the first James Bond film, Dr No (1962), for which Monty Norman had originally been commissioned to write the score.  “I was just […]

The composer Harold Shapero, who lived a few doors away from Bernstein in Newton and was a year behind him at Harvard, also noted Bernstein’s cavalier approach to counterpoint studies. “Lenny didn’t come to class at all. I was a dutiful little student. I did my Palestrina stuff and I got an ‘A.’ . . […]

“We have art in order not to die of the truth.“ Friedrich Nietzsche, notebook from the Spring-Summer of 1888, 16 [40]

After a year’s sabbatical in 1953, the pianist Horowitz found a routine and rebuilt his technique: I realized I had to work out new daily schedules for myself – so much time for study, for rest, for reflection, for exercise … Soon my days had a new rhythm, a new serenity.  Every day I start […]