QUICK LINKS: Audience reception Composers General Performance practice Performers Style Symbolism Teaching methods The creative process The experience of art The purpose of the arts Work ethic Works See also: ANECDOTES AUDIENCE RECEPTION Quick links COMPOSERS Quick links GENERAL Quick links PERFORMANCE PRACTICE Quick links PERFORMERS Quick links STYLE Quick links SYMBOLISM Quick links TEACHING […]

When Mozart was in Naples, he so impressed his audience that they suspected “musical sorcery”. They ordered him to play without wearing his ring, the apparent source of his “magic”. Source: Marek, George (1969) Beethoven: Biography of a Genius. London: William Kimber, p.20.

The inexpressible depth of all music, by virtue of which it floats past us as a paradise quite familiar and yet eternally remote, and is so easy to understand and yet so inexplicable, is due to the fact that it reproduces all the emotions of our innermost being, but entirely without reality and remote from […]

“Creativity can solve almost any problem — the creative act, the defeat of habit by originality, overcomes everything.” — George Lois, American art director, designer and author. G. Lois, Damn good advice (for people with talent!): how to unleash your creative potential by America’s master communicator, London: Phaidon Press, 2012.

The famous organist Reincken heard Bach play. Bach improvised for half an hour on the hymn “By the Waters of Babylon”.  Reincken said: “I thought such art was dead, but I see it still lives in you.” Siblin, Eric (2009) The Cello Suites.  Crows Nest: Allen and Unwin, p. 58.

Chopin is the greatest of them all, for through the piano alone he discovered everything. — Claude Debussy P. Kildea, Chopin’s Piano, London, Allen Lane, 2018, p. 40.

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“Edison failed 10, 000 times before he made the electric light. Do not be discouraged if you fail a few times.” – Napoleon Hill, American author

Is genius original? What is original? Originality wasn't a must in Mozart's day. He was like everyone else, only more so. Like everyone else – but no one was like him. Artists don't necessarily feel more deeply than you or me; it's just that they can take the fugitive feelings we all recognize and congeal […]

Title: Leave me alone (Lasst mich allein) (op. 82, no. 1) Composer: Antonin Dvorak Text: Ottilie Malybrok-Stieler Arranger: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part Sample: