George Gershwin at the piano

The theatre director Rouben Mamoulian describes Gershwin’s playing:

George at the piano was George happy … like a sorcerer celebrating his Sabbath.  He would draw out a lovely melody like a golden thread, then juggle it, twist it and toss it around mischievously, weave it into unexpected intricate patterns, and hurl it into a cascade of ever-changing rhythms and counterpoints.

Cited in: Greenberg, Rodney (2008) George Gershwin.  New York: Phaidon Press, p.47.


Posted

in

by


Featured Content

Mozart on rubato in adagios
In 1777, Mozart visited Heir Stein in Ausburg (1). According to Mozart, Stein had stated that no-one has ever played his Piano Forte as well as I have, and, besides, I always keep correct time. They are all wondering about that. They simply can’t believe that you can play a Tempo rubato in an Adagio, […]
Abstraction VII
Title: Abstraction VII Composer: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part SAMPLES:
Britten on The Rake’s Progress
“I liked everything about the opera but the music.” – Benjamin Britten on Stravinsky’s The Rake’s Progress Cited in: Jarski, Rosemarie (2005) Great British Wit.  London: Ebury Press, p. 203.
Music as an emotional science
Music sets up a certain vibration which unquestionably results in a physical reaction. Eventually the proper vibration for every person will be found and utilized. I like to think of music as an emotional science. — George Gershwin Daniel Albright. Modern and Music: An Anthology of Sources. Chicago, The University of Chicago Press, p. 388.
Capturing the pulse of the time
"I try to put the pulse of my times into my music and do it in a lasting way." – George Gerswhin Cited in: Greenberg, Rodney (2008) George Gerswhin.  New York: Phaidon Press, p.216.   '
It is cruel that music should be so beautiful
“It is cruel, you know, that music should be so beautiful.  It has the beauty of loneliness and of pain: of strength and freedom.  The beauty of disappointment and never-satisfied love.  The cruel beauty of nature, and everlasting beauty of monotony.” Benjamin Britten
Dance of the Sugar-Plum Fairy
One of the most magical passages in Tchaikovsky’s The Nutcracker is the Dance of the Sugar-Plum Fairy. The featured instrument, the celeste, was a relatively new invention, having only been developed by a Parisian harmonium builder, Auguste Mustel, in 1886. The French word “céleste” translates to “heavenly”. Tchaikovsky first discovered the celeste while visiting Paris […]
How piano wires have changed throughout history
While piano wire has changed over the centuries from iron to steel of varying qualities, researchers were surprised to find that the sound produced by the instruments’ wires has remained largely unchanged. “I thought as the wire evolved — as the tension evolved — harmonicity would also change over time,” Purdue University physics professor Nicholas […]
Go Out to All the World – Psalm 116 (117)
Title: Go out to all the world Text: Psalm 116 (117). R. Mk 16:15 Composer: Greg Smith Instrumentation: SATB and organ Product medium: PDF score and part SAMPLE:
Man’s capacity
“There is no man living who isn’t capable of doing more than he thinks he can do.” Henry Ford, American industralist Cited at: Quotations Book