Seeking challenges

Pianist Artur Schnabel was asked at a public forum why his repertoire was so restricted:
My answer is that now I am attracted only to music which I consider to be better than it can be performed.  Therefore I feel (rightly or wrongly) that unless a piece of music presents a problem to me, a never-ending problem, it does not interest me too much.  For instance, Chopin’s studies are lovely pieces, perfect pieces, but I simply can’t spend time on them.  I believe I know these pieces; but playing a Mozart sonata, I am not so sure that I do know it, inside and out.  Therefore I can spend endless time on it. … Children are given Mozart because of the small quantityof the notes; grown-ups avoid Mozart because of the great quality of the notes.

Artur Schnabel.  Cited in: Schonberg, Harold (1987) The Great Pianists.  New York: Fireside, pp.426-427.


Posted

in

by


Featured Content

The James Bond theme
John Barry did not get the chance to see any footage and he had not read any of Ian Fleming’s books when he was called in to work on the music for the first James Bond film, Dr No (1962), for which Monty Norman had originally been commissioned to write the score.  “I was just […]
Bringing classical music to the people
“Most performers pretty much ignore the audience – they play and go off … Don’t get me wrong. I worship these guys! But what will make someone who hardly knows about classical music listen to to Grigory Sokolov for two hours straight, and in total silence? you have to work your way up to that […]
Perahia on Beethoven
Murray Perahia initially found Beethoven hard to understand: “I was always working on Beethoven, but I couldn’t feel close to him.  For nearly ten years I didn’t altogether like his music because I felt it showed an aggressive, up-front personality.”  But after studying, performing, and recording Beethoven (Appasionata,op. 2, op. 101 and the Piano Concertos), […]
George and Ira Gershwin preview Porgy and Bess
The stage director of the first Porgy and Bess production recalls hearing the score in Gerswhin's New York apartment: They both blissfully closed their eyes before they continued with the lovely "Summertime" song.  George played with the most beatific smile on his face.  He seemed to float on the waves of his own music with […]
Ravel’s compositional process
Robert de Fragny recalled a conversation with Ravel about his compositional process: The G major Concerto took two years of work, you know.  The opening theme came to me on a train between Oxford and London. But the initial idea is nothing.  The work of chiseling then begun.  We’ve gone past the days when the […]
The Precepts of the Lord give Joy to my Heart – Psalm 18 (19)
Title: The precepts of the Lord give joy to my heart Text: Psalm 18 (19): 8-11. R. c. Jn 6:68 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:    
Believe in Luck
“I am a great believer in luck and the harder I work the more of it I have.”— Stephen Leacock, Canadian author American Opinion, volume 2, issues 8-11, page 20
The inexpressible depth of music
The inexpressible depth of all music, by virtue of which it floats past us as a paradise quite familiar and yet eternally remote, and is so easy to understand and yet so inexplicable, is due to the fact that it reproduces all the emotions of our innermost being, but entirely without reality and remote from […]
Your Words, Lord, are Spirit and Life – Psalm 18 (19)
TITLE: Your Words, Lord, are Spirit and Life TEXT: Psalm 18 (19): 8-10, 15 COMPOSER: Greg Smith INSTRUMENTATION: SATB and piano PRODUCT MEDIUM: PDF score and part SAMPLE:
Mozart’s masterpieces
“Mozart makes you believe in God – much more than going to church – because it cannot be by chance that such a phenomenon arrives into this world and then passes after thirty-six years, leaving behind such an unbounded number of unparalleled masterpieces.” Sir Georg Solti Source: Kelly, Henry & Foley, John (1998) Classic FM […]