Seeking challenges

Pianist Artur Schnabel was asked at a public forum why his repertoire was so restricted:
My answer is that now I am attracted only to music which I consider to be better than it can be performed.  Therefore I feel (rightly or wrongly) that unless a piece of music presents a problem to me, a never-ending problem, it does not interest me too much.  For instance, Chopin’s studies are lovely pieces, perfect pieces, but I simply can’t spend time on them.  I believe I know these pieces; but playing a Mozart sonata, I am not so sure that I do know it, inside and out.  Therefore I can spend endless time on it. … Children are given Mozart because of the small quantityof the notes; grown-ups avoid Mozart because of the great quality of the notes.

Artur Schnabel.  Cited in: Schonberg, Harold (1987) The Great Pianists.  New York: Fireside, pp.426-427.


Posted

in

by


Featured Content

The Lord is Kind and Merciful – Psalm 102 (103)
Title: The Lord is kind and merciful Text: Psalm 102 (103): 1-4, 9-12. R. v.8 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
Mozart on aesthetics
Mozart’s musical aesthetics are revealed in a letter to his father about Osmin’s first aria in The Abduction of the Seraglio (Die Entführung aus dem Serail).  The Eighteenth century classical ideals of balance and refinement are evident: I have sent you only the beginning and the end of the aria.  I think it will prove […]
The line and the harmony
Phrases have their own topography—they move forward with the line but also remain wedded to the ground with each change of harmony, and this is where the battle lies, why each piece of music grapples with its own destructive potential, why beauty is never what it appears to be. — Simon Tedeschi S. Tedeschi, Fugitive, […]
Einstein on Mozart
Einstein wrote that Mozart’s music “was so pure that it seemed to have been ever-present in the universe, waiting to be discovered by the master.” Lyth, David (2019) The Road to Einstein’s Relativity. Boca Ranton: CRC Press, p.131.
Style
Let My Tongue Be Silenced – Psalm 136 (137)
Title: Let my tongue be silenced Text: Psalm 136 (137) Composer: Greg Smith Instrumentation: SATB and piano (unison verses) Product medium: PDF score and part Sample:    
In the event of a lack of singers
In a letter to his friend Abbé Joseph Bullinger, Mozart jokes about the musical environment in Salsburg. One of his subjects is the search for an additional final principle singer. “I can hardly believe it!” he wrote “A female singer!? When we have so many already! – and all of them first rate…” (1). Mozart […]
I Will Praise Your Name Forever – Psalm 114 (115)
Title: I will praise your name for ever Text: Psalm 145 (144): 1-2, 8-11, 13-14. R. cf. v.1 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
Tchaikovsky’s Work Ethic
We must always work, and a self-respecting artist must not fold his hands on the pretext that he is not in the mood. If we wait for the mood, without endeavouring to meet it half-way, we easily become indolent and apathetic. We must be patient, and believe that inspiration will come to those who can […]
Sondheim on the language of music
American composer and lyricist Stephen Sondheim has released a book Finishing the Hat: The Collected Lyrics of Stephen Sondheim, with Attendant Comments, Principles, Heresies, Grudges, Whines and Anecdotes.  The following is an extract from interview an article on Sondheim by Emma Brockes: Initially a maths student at Williams College in Massachusetts, the young Sondheim took […]