Title: Lord, make us turn to you Text: Psalm 79 (80) Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:

Conductor Malcolm Sargent on Vaughan Williams’ Sixth Symphony: A frightening symphony. For a symphony to be frightening is perhaps a good thing. Here we have the complete testament of a man who, in his seventies, looks back on the human sufferings of his time. I never conduct the Sixth without feeling that I am walking […]

In 1800, an improvisation contest occured between Beethoven and the pianist Daniel Steibelt. It was agreed that Prince Lobkowitz would sponsor Steibelt and Prince Lichnowsky sponsor Beethoven, the improvisation contest to take place in Lobkowitz’s palace. As the challenger, Steibelt was to play first. He walked to the piano, tossing a piece of his own […]

Title: The Queen Stands At Your Right Hand Text: Psalm 44 (45): 10-12. 16 Composer: Greg Smith Performer: Greg Smith Instrumentation: Piano Product medium: MP3 recording     Related products:     – The Queen Stands At Your Right Hand – Piano solo (score)     – The Queen Stands At Your Right Hand – SATB and piano (score) Sample:

Title: Blessed are they who hope in the Lord (setting ii) Text: Psalm 1:1-2, 3, 4, 6 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part SAMPLE:

American jazz music is, in many ways, rooted in its “traditional” repertoire – the American “Songbook” of “standards”. There are, however musicians who emphasise the importance of a fresh approach: If jazz has a future, musicians like Matt Mayhall could help it get there. A lanky, bespectacled Reno native and graduate of Cal Arts, where […]

For generations, the main places to hear contemporary classical music have been the big institutions, primarily at downtown and university concert halls and opera houses, and sometimes in churches and other rather formal settings. That’s all changing. Young composers today are increasingly finding — or creating — outlets for their music in rock and jazz […]

“Now I need to say a word to my sister about the Clementi sonatas.  – Anyone who plays them can hear or feel that as compositions they aren’t very much. – There are no remarkable striking passages, except the sixth and the octaves; – and even those I am asking my sister not to spend […]

Abstract art is only painting. And what’s so dramatic about that? There is no abstract art. One must always begin with something. Afterwards one can remove all semblance of reality; there is no longer any danger as the idea of the object has left an indelible imprint. It is the object which aroused the artist, […]

(i) Moderato (C major) (ii) Andantino (A-flat major) (iii) Allegro moderato (f minor) (iv) Moderato (c-sharp minor)/ (v) Allegro vivace (f minor) (vi) Allegretto (A-flat major) In 1929, Oscar Bie reflected on Schubert: That face! . . . It is the face of a teacher, but not of a strict one. The hair curls about […]