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Title: The Battle of the Somme Composer: Greg Smith Performer: Greg Smith Instrumentation: Piano Product medium: MP3 download (25 tracks; 73:00) Related products: – Full score (PDF download). 80 pages. Background: In 1916 France was struggling to fend off German occupation. It had become apparent that to break the stalemate Britain may need to increase […]

Title: Lord, you are good and forgiving (Setting II) Text: Psalm 85 (86): 5-6, 9-10, 15-16 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:

Emma Ayres, a violist and former ABC Classic FM radio presenter, discusses her experience in teaching in Kabul at the Afghanistan National Institute of Music. CP: You teach viola, cello, and violin as well? EA: A little bit of violin and a little bit of double bass, although I’m not a very good double bass […]

Title: The Blue Danube (op. 314) Composer: Johann Strauss Arranger: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part (32 pages) Sample:

Title: I’ll Softly Sigh Composer: Greg Smith Instrumentation: Piano Product medium: PDF score SAMPLE:

“I say that in the aria ‘La donna è mobile’, for example, which the elite thinks only brilliant and superficial, there is more substance and feeling than in the whole of Wagner’s Ring cycle.” – Igor StravinskyCited in Brandenburg, Daniel (2012). Verdi: Rigoletto. Bärenreiter.

Paul Simon (of Simon and Garfunkel) on the future of the “album” concept: I don’t think the album is going to disappear for several reasons … It’s not that people aren’t listening to albums.  They’re just doing it on shuffle.  What that does is it makes albums more eclectic and more interesting.  But if an […]

Logically, a hunch makes as much sense as saying, horses have tails; therefore, all tails have horses.”  But in the zany world of films you don’t explain hunches — you just live and die by them. Frank Capra (1971) The Name Above the Title: An Autobiography.  Macmillan, p. 123. 

“The person born with a talent they are meant to use will find their greatest happiness in using it. – Johann Wolfgang von Goethe, poet

At a concert in London in December 1911, Rachmaninoff was received to great acclaim: perhaps a little too much from the orchestra's view point, who wanted to play the rest of their program: The London Philharmonic Concert given on November 7, provided an object lesson in this study of the relation of applause to encores.  […]