Tag: Handel

  • Matheson and Handel’s duel

    Two flamboyant young musickers leave the town of Lübeck as soon as can be. For they have learned that the successful candidate must marry the daughter of the man in whose shoes they would fain have trodden the pedals. One look at the daughter was enough. She was not fair to see, and her years…

  • Handel’s dinner for three

    Handel certainly liked to eat: A story is told of him that he once ordered up enough dinner for three. Noting that the servant dawdled about, Handel demanded why; the servant answered that he was waiting for the company to come, whereupon Handel stormed, in his famous broken English, “Den print up der tinner prestissimo.…

  • Sight singing with Handel

    When Handel travelled through Chester, on his way to Ireland, this year, 1741 (to give the first performance of Messiah), I was at the Public School in that city and very well remember seeing him [Handel] smoke a pipe, over a dish of coffee, at the Exchange Coffee House; for being extremely curious to see…

  • Wagner’s observations on the English and oratorios

    Wagner attended a performance of Messiah at Exeter Hall in London with a chorus of 700 voices. He recorded in his autobiography: It is here that I came to understand the true spirit of English Protestantism. This accounts for the fact that an oratorio attracts the public far more than an opera. A further advantage…

  • Handel on Purcell

    An account by R. L. Stevens (1775): When Handel was blind, and attending a performance of the Oratorio Jephtha, Mr [William] Savage, my master, who sat next to him said, “This movement, sir, reminds of me of some of old Purcell’s music.” “G got te teffel”, said Handel, “if Purcell had lived, he would have…

  • Handel’s speedy method

    Morrell gave Handel the words of Cleopatra’s air “Convey me to some peaceful shore” in Alexander Balus, he cried out “Damn your Iambics!”. Morell offered to change them to trochees and went into the next room to do so, only to find about three minutes later that Handel had set them as they stood.” Dean,…

  • A tribute to Beethoven

    “The Last Master of resounding song, the tuneful heir of Bach and Handel, Mozart & Haydn’s immortal fame is now no more. The harp is hushed. He was an artist – and who shall arise to stand beside him? He was an artist – thus he was, thus he died, and thus he will live…

  • The development of concert life in London

    The public concert, as an institution, dates from England from the Restoration period [from the 1660s]; previously music, unless ecclesiastical or dramatic in character, had been essentially the art of a small circle.  The largess of aristocratic patronage and the profits of publication were the composers’ rewards.  But with the middle of the seventeenth century…

  • Vaughan Williams on Hubert Parry

    Vaughan Williams studied composition with Dr. Hubert Parry at the Royal College of Music, London. Vaughan Williams recalled: Many … entirely misunderstood Parry; they were deceived by his rubicund bonhomie and imagined that he had the mind, as he had the appearance, of a country squire. The fact is that Parry had a highly nervous…

  • Dress regulations for Handel’s Messiah

    In the eighteenth century, hooped skirts were a popular choice of ladies dress attire as they enabled a dramatic entrance, and also flattered the figure when pregnant. They did take up considerable space though. For the performance of the Messiah Handel instructed the ladies to come without hooped skirts, and gentlemen without their swords. The…