A specialized skill set

“You know I’m a useless kind of man apart from my music.”
– Tchaikovsky
Cited in: Hanson, Lawrence and Elisabeth (1965) Tchaikovsky: A New Study of the Man and His Music.  London: Cassell & Company, p.179.


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Silent Steps – Rabindranath Tagore
Title: “Sacred Steps” from Song Offerings (Gitanjali) Text: Rabindranath Tagore Music: Greg Smith Instrumentation: SATB Product medium: PDF score Sample:
The meaning of American Pie
When questioned about the meaning of American Pie, Don McLean would quip. “It means I’ll never have to work again.” Rob Walker, “Don McLean on the tragedy behind American Pie: ‘I cried for two years’”, The Guardian, 22 October 2020, https://www.theguardian.com/music/2020/oct/22/don-mclean-american-pie-its-meaning-family-deaths-tragedy-60s?CMP=Share_AndroidApp_Other
The development of keyboard technique
Before the time of Bach, keyboardists would often only use the middle three fingers of each hand and tended to keep their hands flat. Bach taught his students under the new principle of using all the fingers. Beethoven asked his pupils to curve the hand. Source: Marek, George (1969) Beethoven: Biography of a Genius. London: William […]
Debussy on pedalling in Chopin
Despite my respect for Saint-Saëns’ age, what he says about Chopin’s pedalling isn’t entirely true. I have very clear memories of what Mme Mauté de Fleurville told me. He (Chopin) recommended practising without pedal and, in performance, not holding it on except in very rare instances. It was the same way of turning the pedal […]
Lord, Let Your Mercy Be On Us – Psalm 32 (33)
Title: Lord, let your mercy be on us Text: Psalm 32 (33): 4-5, 18-19, 20-22. R. v.22 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
The Lord is my Light (Setting II) – Psalm 26 (27)
Title: The Lord is my light (Setting II) Text: Psalm 26 (27): 1, 4, 13-14. R. v.1 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
Beethoven’s letter
A letter written by composer Ludwig van Beethoven has emerged in Germany after being left in a will. In the six-page document of Beethoven’s scrawled corrections, he complains about his illness and a lack of money. Experts were already aware of the 1823 letter’s existence, but say it is of historic value. BBC News, 11 […]
The silent bass clarinet
During a rehearsal of Schubert’s Unfinished Symphony: Stokowski had inserted a gratuitous part for bass clarinet. “It so happens,” wrote O’Connell, “that the player of this instrument was a quite temperamental gentleman as well as a composer, and when he saw Stokowski’s addition to Schubert’s score, he was possessed by fury.”  When he expressed his […]
O Danny Boy
Long before the tune Danny Boy even had words the tune existed as an Irish folk melody.  A study in 1979 revealed that Londonderry Air was related to Aislean an Oigfear (The Young Man’s Dream), which had been collected in 1792 from harpist Denis O’Hampsey  He was over ninety at the time and had played […]
Saint-Saëns defending virtuosity
It is virtuosity itself that I want to defend. It is the source of the picturesque in music, it gives the artist wings with whose help he escapes platitudes and the everyday. The conquered difficulty is in itself a beautiful thing. Theódphile Gautier, in Émaux et camées, considered this issue in immortal verses. . . […]