An old thing becomes new if you detach it from what usually surrounds it. — Robert Bresson, French filmmaker J. Butler, Star Texts: Image and Performance in Film and Television, Detroit, Wayne State University Press, 1991, p. 170.

The first soundtrack to be commercially released was Disney’s 1938 film Snow White and the Seven Dwarfs. The songs were written by Frank Churchill (music) and Lary Morey (lyrics). The score was written by Churchill and Leigh Harline, with some additional music by Paul Smith. Although Churchill and Morey originally wrote 25 songs for the […]

“It’s good! Awfully emotional! Too emotional, but I love it…” Edward Elgar on his own Violin Concerto Jeremy Pound, “First Violin”, BBC Music Magazine, October 2010, p. 36.

Title: Mighty Like A Moose (silent film soundtrack) Composer Greg Smith Instrumentation: Piano Product medium: PDF score (34 pages) Background:     Written by: Charley Chase & H. M. Walker     Starring: Charley Chase, Vivien Oakland, Gale Henry, Charles Clary, Ann Howe, Malcolm Denny     Directed by: Leo McCarey     Film released: 1926 SAMPLE:

“…a panel of experts warn that film, TV and videogame scoring continues to leave L.A. because producers are unwilling to meet union demands. “If work continues to dry up at the current rate, they speculated, one or more of the three remaining large scoring stages (Fox, Sony, Warner Bros.) could close “within the next two […]

“All I have left is a long nose and a fourth finger out of practice.” Chopin, in Scotland, unable to visit his friend Julian in London because of ill health. Cited in: Zaluski, Iweo & Pamela (1993) The Scottish Autumn of Frederick Chopin. Edinburgh: John Donald Publishers, p.23.

Gwilym Gold has released an album that never plays the same way twice. Developed in collaboration with Lexxx and scientists from Goldsmiths University in London, Gold says the system, called Bronze, “makes the music more engaging, similar to a live performance. Every time it’s played, it’s renewing itself.” Mark Savage, “Gwilym Gold releases ‘constantly evolving […]

Murray Perahia initially found Beethoven hard to understand: “I was always working on Beethoven, but I couldn’t feel close to him.  For nearly ten years I didn’t altogether like his music because I felt it showed an aggressive, up-front personality.”  But after studying, performing, and recording Beethoven (Appasionata,op. 2, op. 101 and the Piano Concertos), […]

Hannes was not always solemn – far from it!  He could be as full of fun and wild pranks as any boy.  With Christian he worked out a scheme which they both found hugely entertaining.  They would knock at the door of a house where, perhaps a century before, some illustrious citizen of Hamburg had […]