Beethoven and the candlesitcks

Beethoven once gave a performance of a new piano concerto in which he forgot he was the soloist and began to conduct instead.  At the first sforzando he threw out his arms so vehemently that he knocked both candlesticks off the piano.  The audience burst out laughing, which enraged Beethoven.  He made the orchestra start all over again.  To avoid a repetition of the accident, two boys from the chorus were recruited to stand holding the lights on either side of Beethoven.  Unfortunately, when it came to the sforzando, Beethoven again flung out his arms.  One of the boys, keeping a wary eye on the maestro, had seen what was  coming and managed to duck.  The other boy was not so lucky, and received Beethoven’s hand full in the mouth, which made him stagger and drop the candlestick.  The audiences laughter now so enraged Beethoven that he hit the keyboard with his fist and broke half a dozen piano strings!

Cited in Kelly, Henry & Foley John (1998) Classic FM Musical Anecdotes.  London: Hodder & Stoughton, p.200.


Posted

in

by


Featured Content

The purpose of education
“The purpose of education is to keep a culture from being drowned in senseless repetitions, each of which claims to offer a new insight.” — Harold Rosenberg, American writer, educator, philosopher and art critic. Harold Rosenberg, “On the New Cultural Conservatism”, Partisan Review, 1972, vol. 39, no. 3, p. 444.  Digitally archived at http://archives.bu.edu/collections/partisan-review/search/detail?id=326096, accessed […]
Intermezzo, op. 118 no. 2 (Brahms)
>
The ideal and the played performance
Some conductors put all the emphasis on the melodic line, while others are fanatics about rhythm, but there are very few conductors who are uniquely able to look at the score and hear every part before it actually happens. With the very best of conductors, it’s as though there are two performances going on simultaneously. […]
The James Bond theme
John Barry did not get the chance to see any footage and he had not read any of Ian Fleming’s books when he was called in to work on the music for the first James Bond film, Dr No (1962), for which Monty Norman had originally been commissioned to write the score.  “I was just […]
Focus
Concentrate all your thoughts upon the work at hand. The sun’s rays do not burn until brought to a focus. – Alexander Graham Bell Orison Swett Marden, (1901) “Bell Telephone Talk”, How They Succeeded. Boston: Lothrop Publishing Company, p. 38. Digitally archived at https://archive.org/details/howtheysucceeded00mardrich/mode/2up, accessed 11 September 2021.
Reich on the accessibility of his music
American composer Steve Reich on his compositional process: When I compose, I notice I’m the only one in the room. (laughs) I tend to be a somewhat self-critical person. I use my emotional faculties to judge whether I want to hear something again. Basically I have no one in mind except pleasing myself. And my […]
Misprints remain
“Some misprints remain on my scores, because for some reason I have always been in a rush to get the proofs to the publisher by the deadline. In the orchestral parts everything has usually been corrected.” Jean Sibelius, to Jussi Jalas, 27th July 1942 Cited at: www.sibelius.fi [accessed 31 Mar 2010].
I am Beethoven
An account of Beethoven being lost in his creative world: Thayer tells us of a conversation he had with a Professor Blasius Höfel, a teacher of fine arts at Weiner Neustadt, a little town near Vienna.  one evening, Höfel was in a tavern with some of his colleagues, the Commissioner of Police being a member […]
Recordings
Golden rules for an orchestra
‘”There are two golden rules for an orchestra: start together and finish together. The public doesn’t give a damn what goes on in between.” – Thomas Beecham, conductor.  Cited at: Quotationsbook