Beethoven and the candlesitcks

Beethoven once gave a performance of a new piano concerto in which he forgot he was the soloist and began to conduct instead.  At the first sforzando he threw out his arms so vehemently that he knocked both candlesticks off the piano.  The audience burst out laughing, which enraged Beethoven.  He made the orchestra start all over again.  To avoid a repetition of the accident, two boys from the chorus were recruited to stand holding the lights on either side of Beethoven.  Unfortunately, when it came to the sforzando, Beethoven again flung out his arms.  One of the boys, keeping a wary eye on the maestro, had seen what was  coming and managed to duck.  The other boy was not so lucky, and received Beethoven’s hand full in the mouth, which made him stagger and drop the candlestick.  The audiences laughter now so enraged Beethoven that he hit the keyboard with his fist and broke half a dozen piano strings!

Cited in Kelly, Henry & Foley John (1998) Classic FM Musical Anecdotes.  London: Hodder & Stoughton, p.200.

Posted

in

by

Greg

Tags:

,

Featured Content

Collaborative piano
PERFORMANCE BIOGRAPHY GREG SMITH Certifications and degrees: – 1996: Associate of Music, Australia (A. mus. A.) in piano performance – 1998: Licentiate of Music, Australia (L. mus. A.) in piano performance – 2001: Bachelor of Music, with honours, class I (University Medal).  University of Newcastle.  Double major in piano and composition. – 2003: Master of […]
Saint-Saëns on composing
“I produce music as an apple tree produces apples.” — Camille Saint-Saëns Musical Heritage Review. Musical Heritage Society, volume 1, issues 13-18, p.47.
Everything affects music making
‘”…turning 40 and new fatherhood have other effects: ‘It opens things up emotionally’, he says.  ‘I find that my whole perspective on life and my whole emotional range generally has changed.  I laugh more easily and cry more easily.  And that probably has an impact on the music making in one way or another.  Everything […]
Technology and the future of music
The future direction of music demands that musicians today lose themselves in technology and learn from their mistakes. In the past, musicians tended to view technology as a nuisance—something someone else did so they could be left alone to create. But technology and music are merging rapidly—forcing musicians to view software as part of their […]
O Danny Boy
Long before the tune Danny Boy even had words the tune existed as an Irish folk melody.  A study in 1979 revealed that Londonderry Air was related to Aislean an Oigfear (The Young Man’s Dream), which had been collected in 1792 from harpist Denis O’Hampsey  He was over ninety at the time and had played […]
The Anecdote to Distraction is Art
“If you are on a mission to discover what you have to offer, and to bring it out into the world, every moment you spend distracted is a moment you aren’t following your art. It’s a moment you aren’t pursuing your true potential.” — David Kadavy David Kadavy, “The Anecdote to Distraction is Art”, https://steemit.com/productivity/@kadavy/the-antidote-to-distraction-is-art-1515195404-5002096. […]
There’s a crack in everything
There is a crack, a crack in everythingThat’s how the light gets in. Leonard Cohen, “Anthem Related: “There is a crack in everything, that’s how the light gets in”: The story of Leonard Cohen’s “Anthem”
Music stirred him
“Music had stirred him like that.  Music had troubled him many times.  But music was not articulate.  It was not a new world, but rather another chaos, that it created in us.” – Oscar Wilde, The Picture of Dorian Grey.
A pen and a hen
“A pen is to me as a beak is to a hen.” John Ronald Reuel Tolkien, in an interview with Philip Norman. “The Prevalence of Hobbits”, The New York Times, 15 January 1967, http://movies2.nytimes.com/books/01/02/11/specials/tolkien-mag67.html (accessed 20 July 2020)
Bruckner the count
Anton Bruckner developed a condition call numeromania that compelled him to count everything – cathedral gables, stars, leaves on the trees; even the number of bars in his lengthy symphonies. Source: Lawrence, Christopher (2001) Swooning.  Sydney: Random House, p.70.