John Barry did not get the chance to see any footage and he had not read any of Ian Fleming’s books when he was called in to work on the music for the first James Bond film, Dr No (1962), for which Monty Norman had originally been commissioned to write the score.  “I was just […]

“Happy Birthday to You” is not an accidental success. It is not a traditional song nor did it appear ex nihilo. It originated with the Hill sisters, Patty and Mildred, and was first sung in a kindergarten classroom in Louisville, Kentucky in the late 19th century, back when kindergarten was a social experiment. Patty Smith […]

When Handel travelled through Chester, on his way to Ireland, this year, 1741 (to give the first performance of Messiah), I was at the Public School in that city and very well remember seeing him [Handel] smoke a pipe, over a dish of coffee, at the Exchange Coffee House; for being extremely curious to see […]

Sergei Prokofiev was once asked to give a piano recital. He declined, offering this explanation: “It would cost me half a sonata.” Source: Samuel, Prokofiev

Benjamin Appl on working with Dietrich Fischer-Dieskau: When people ask me about what I learned from Fischer-Dieskau, that’s what I always come back to: of course I could say a hundred things about technique and his reputation, but what I found most inspiring was how he created everything afresh. Whenever he was teaching he’d prepare […]

The interpreter is really an executant, carrying out the composer’s intentions to the letter. He doesn’t add anything that isn’t already in the work. If he is talented, he allows us to glimpse the truth of the work that is in itself a thing of genius and that is reflected in him. He shouldn’t dominate […]

“There is hardly any treatise which could be too learned for me. I have not the slightest pretension to what is properly called erudition. Yet from my childhood I have striven to understand what the better and wiser people of every age were driving at in their works. Shame on an artist who does not […]

Mozart described the importance of good operatic texts in a letter regarding The Abduction from the Seraglio (Die Entführung aus dem Serail) in a letter to his father in 1781: …the Poesie is totally in tune with the character if this stupid, coarse, and malicious Osmin [the servant character] – and I am well aware […]

Wagner attended a performance of Messiah at Exeter Hall in London with a chorus of 700 voices. He recorded in his autobiography: It is here that I came to understand the true spirit of English Protestantism. This accounts for the fact that an oratorio attracts the public far more than an opera. A further advantage […]