I write for all ears

When Mozart was writing his opera Idomeno, his father warned him to make sure it was accessible to all the audience. Mozart replied:

As far as the so-called Popular style is concerned, don’t worry about it; in my Opera you’ll find Musick for every kind of listener = except for those with the long ears [i.e., asses].

In an letter to his father,Munich 16 December 1780.  Cited in:Spaethling, Robert (2000) Mozart’s Letters, Mozart’s Life.  London: Faber and Faber,  p.221.

Posted

in

by

Greg

Tags:

, , , ,

Featured Content

Forever I will Sing the Goodness of the Lord – Psalm 88 (89)
Title: Forever I will sing the goodness of the Lord (Setting I) Text: Psalm 88 (89) Composer: Greg Smith Instrumentation: SATB and organ     Related products:     – Forever I will sing the goodness of the Lord (SATB, brass, and organ) Product medium: PDF score and parts SAMPLE:
Debussy’s recreational activities
Often at the end of the day Gaby [Debussy’s lover] would discover that they had a little money left over and then they would go out to a café, or circus, or to watch a billiards match. Debussy was very fond of the game. At the circus he loved the clowns and was as excited […]
Concentrate on the performance
Daniel Saidenberg ws the first cellist of the Philadelphia Orchestra, conducted by Leopold Stokowski.  He recalled: Stoki’s ability to exert disciplines was occasionally matched by a sense of humor.  After a concert at which I had played the Saint-Saëns A-minor Concerto, one of my buddies said, “Watch your step, Danny.  All through the second movement, […]
Nick Cave on the creative process
What makes a great song great is not its close resemblance to a recognizable work. Writing a good song is not mimicry, or replication, or pastiche, it is the opposite. It is an act of self-murder that destroys all one has strived to produce in the past. It is those dangerous, heart-stopping departures that catapult […]
The delicate nature of Chopin’s pianism
Chopin gave a recital in the Gentlemen”s Concert Hall, Manchester, on 28 August 1848. The audience of 1,200 people was the largest Chopin had ever performed to, but Chopin’s delicate playing was not really suited to such a large venue. Conscious of this fact, Chopin requested that another pianist, George Osborne, who was also performing […]
Art and the strength of the former times
In 1824, Schubert wrote a letter to his friend Schober concerning a general complacency about the role of art at the time: The idle time, which hinders the fulfillment of all greatness, destroys me too. Even golden verse is foolishly mocked by the people, no longer attentive to its powerful message. Only by the gift […]
Recollections from Gallipoli
Title: Recollections from Gallipoli Text: Ellis Salis Music: Greg Smith Instrumentation: Tenor and piano Product medium: PDF score Sample:
The sole purpose of art is infinite
E. T. A. Hoffmann wrote in 1813 that instrumental music is the most romantic of all the arts  – one might almost say, the only genuinely romantic one – for its sole subject is the infinite.  The lyre of Orpheus opened the portals of Orcus – music discloses to man an unknown realm, a world […]
Gershwin: the life at the party
Gershwin was often the life of a party, entertaining on the piano.  He said: “The trouble is, when I don’t play at a party I don’t have a good time.” Cited in: Greenberg, Rodney (2008) George Gershwin.  New York: Phaidon Press, p.47.
Mastery
“Mastery passes often for egotism.” — Johanne Goethe, German author Johanne Goethe (1906) The Maxisms and Relfections.  Translated by Bailey Saunders.  New York: The Macmillan Company.  Digitally archived at: https://www.gutenberg.org/files/33670/33670-h/33670-h.htm, accessed 12 Setpember 2021