He was a wonderful teacher. He is extremely articulate and very demanding. He made no concessions to my age. In my first lesson, I was playing a Schubert piano sonata, and the first chord took 20 minutes. I played it again and again, and Brendel wandered around the room saying: “No, balance of sound wrong […]

Mozart described the importance of good operatic texts in a letter regarding The Abduction from the Seraglio (Die Entführung aus dem Serail) in a letter to his father in 1781: …the Poesie is totally in tune with the character if this stupid, coarse, and malicious Osmin [the servant character] – and I am well aware […]

“The world is not to be put in order; the world is order, incarnate. It is for us to harmonize with this order.” – Henry Miller, American writer and painter

Brahms was rehearsing his F minor piano quintet. But when they reached the Andante, the strings played too fast to suit Brahms. This had happened once before in an early rehearsal of the same work, and the composer had discovered a tactful way of handling the situation.  Instead of criticizing, he called: "Just a moment, […]

It happens because you identify so completely with the composer, you’ve studied him so intently, that it’s as though you’ve written the piece yourself. You completely forget who you are or where you are and you write the piece write there. You just make it up as though you never heard it before. Because you […]

Conductor and pianist Seymour Lipkin (born 1928) recalled piano lessons with his teacher, Bohemian-born pianist Rudolf Serkin: He said so many memorable things to me that I continue to pass on to my students.  A few examples: “The worst crime you can commit as an artist is to bore your listeners”; for another, “People who […]

I was about eleven years old when my respected teacher Czerny took me to see Beethoven.  Already a long time before, he had told Beethoven about me and asked him to give me a hearing some day.  However, Beethoven had such an aversion to infant prodigies that he persistently refused to see me.  At last […]

“Beauty will save the world.” – The Idiot, Fyodor Dostoyevsky

Rachmaninoff’s Prelude in C-sharp minor proved very popular with the public. At times, it was programmed “by request” (1), and if not was freqently expected as an encore. In 1922, Rachmaninoff performed in the Queens Hall (London). A critic in the Musical Times described the event: It was clear that the bulk of those who filled Queen’s Hall […]

Ravel’s infamous Boléro was somewhat created by chance: Shortly before Ravel left for America, the Russian dancer Ida Rubinstein had asked him for a ballet to be based on orchestrations of parts of Albéniz’s Iberia. To this he agreed; with so much on his plate he was not anxious to undertake further commitments for wholly original composition. […]