My God, My God, Why Have You Abandoned Me? – Psalm 21 (22)Title: My God, my God, why have you abandoned me? Text: Psalm 21 (22): 8-9. 17-20. 23-24. R. v. 2 Composer: Greg Smith Instrumentation: SATB and organ Product medium: PDF score and part Sample:
Waste no note“Never write an unnecessary note. Every note must live.” Jean Sibelius, in a radio interview with Kalevi Kilpi, 1948) Cited at: www.sibelius.fi [accessed 31 Mar 2010].
Language at its most powerfulLanguage is at its most powerful when it disturbs, not by arriving at insights/understandings, but by creating possibilities. – Thomas Ogden T. Ogden, Reveries and Interpretations: Sensing Something Human, Lanham, Roman & Littlefield, 2004, p. 219.
Julius Asal on interpretationOn the one hand, I believe that to connect tradition and innovation is the most important thing to me personally. On the other hand, to explore the score and be close to what the composer wanted is essential. There is a way to find your own language within the details that the composers left. Julius […]
The mannerisms of PachmannThe Russian pianist, Vladimir von Pachmann was known for his funny mannerisms: Everyone knows that the Russian pianist has funny ways of his own, which the public tolerate for the pleasure he affords them as an artist. On this occasion, we read, he remarked, first of all, “Too few people; I cannot play. This is […]
What we play“What we play is life.” Louis Armstrong, Jazz musician Cited at: Satchmo, “Louis Armstrong Quotes and Tributes.” https://www.satchmo.com/louisarmstrong/quotes.html, accessed 6 September 2021.
All the Ends of the Earth – Psalm 97 (98)Title: All the ends of the earth Text: Psalm 97 (98):1-6. R. v.3 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part SAMPLE:
Satie on La MerAt the 1905 premiere of La Mer, one of whose movements is called “From Dawn to Midday on the Sea”, Debussy received the usual post-performance congratulations. Satie’s deflating comment was, “Ah, my dear friend, there’s one particular moment between half past ten and a quarter to eleven that I found especially stunning.” Levison, B. (2015). […]
Richter on small concerts“Put a small piano in a truck and drive out on country roads; take time to discover new scenery; stop in a pretty place where there is a good church; unload the piano and tell the residents; give a concert; offer flowers to the people who have been so kind as to attend; leave again.” […]
The juggling jazz musician“A jazz musician is a juggler who uses harmonies instead of oranges.” – Benny Green, British saxophonist Benny Green (1975) A Reluctant Art: The Growth of Jazz. Books for Libraries Press, p. 16.