“The work of the individual still remains the spark that moves mankind forward.” – Igor Sikorsky, Russian aviator

Title: Easter Prayer Text: St. Gregory the Great Composer: Greg Smith Instrumentation: SATB and organ Product medium: PDF score and parts SAMPLES:

The piano technician, Franz Mohr, observed: Horowitz was consistent in all that he did. His rehearsal was always on Saturday at 4:00 p.m., his performance was on Sunday. And I always had plenty of time to prepare his piano for the concert. Of course Horowitz would have never stolen my preparation time in order to […]

“The future of classical music lies with the younger generation, which must be weaned away from the cacophony of rock and the neon glitter of “American Idol”-type TV shows. Instead of dragging children to concerts, where they squirm with boredom, rent some old movies featuring soundtracks of classical music. Even toddlers can be exposed to […]

Listening to music should always be an active process, and those who attend – pregnant verb – concerts, who listen, who respond, who treasure what they hear there, are musicians. They are the ones who do not let music wash over them like a bubble bath but who actively swim in the water. When vibrations […]

The theatre director Rouben Mamoulian describes Gershwin’s playing: George at the piano was George happy … like a sorcerer celebrating his Sabbath.  He would draw out a lovely melody like a golden thread, then juggle it, twist it and toss it around mischievously, weave it into unexpected intricate patterns, and hurl it into a cascade […]

Greg Smith’s experience as a composer and chamber musician means that he is comfortable scoring in a variety of styles and instrumental forces: – chamber (e.g., piano, cello and piano, string quartet) – choral – orchestra – wind orchestra Greg can arrange in a variety of styles, from classical to jazz. Contact Greg Smith ARRANGMENTS, […]

In 1908-9, Claude Debussy made two appearances conducting his own works in England.  The Musical Times reported on the occasions. The report on the first concert: Nothing could have been heartier than the applause which greeted M. Claude Debussy as he stepped on to the platform at Queen’s Hall on February 1.  The warmth of […]

”You see,” he said, ”I have a very substantial program, and after a substantial program, you can’t play a substantial encore. You play a little … ” at this, he strummed the air with his fingers, tinkling an imaginary piano. ”It is,” he said, ”anticlimactic.” Clyde Haberman, “3,500 Japanese Applaud Horowtiz for 14 Minutes”, The […]

Beethoven was revising Fidelio when he wrote to Georg Freiedrich Treitschke (who was helping to revise the libretto) (1): Now, of course, everything has to be done at once; and I could composer something new far more quickly than patch up the old with something new, as I am now doing. For my custom when I […]