Evolving recordingsGwilym Gold has released an album that never plays the same way twice. Developed in collaboration with Lexxx and scientists from Goldsmiths University in London, Gold says the system, called Bronze, “makes the music more engaging, similar to a live performance. Every time it’s played, it’s renewing itself.” Mark Savage, “Gwilym Gold releases ‘constantly evolving […]
To burn with desire“To burn with desire and keep quiet about it is the greatest punishment we can bring on ourselves.” — Federico García Lorca, Blood Wedding and Yerma A. Flores (ed.), Great Spanish Plays in English Translation, New York, Dover, 1991, p.441.
Composing for elephantsIgor Stravinsky’s Circus Polka: For a Young Elephant to be performed by young elephants (a collaboration with American choreographer George Balanchine. It ended up being performed by older elephants – the main star being Big Modoc (41 years of age). Each elephant wore a join pink tutu. Source: Dixon, Gavin “Igor Stravinsky’s pachyderm polka”, Classic […]
Schumann on musicAs to what concerns the knotty question in general of how far instrumental music may go in the representation of thoughts and events, many are here too anxious in their attitude. We are certainly wrong if we believe that composers set out pen and paper to realize the miserable intention of expressing, describing, or painting […]
Rossini’s salad recipe“Take the oil from Provence, English mustard, vinegar from France, a little ‘lemon, pepper, salt, beat and mix together; then add a few truffles, cut into thin slices. Truffles gives this dressing a sort of halo, made especially to fascinate a glutton. The Cardinal Secretary of State, who I met in recent days, gave me […]
Beethoven distractedA student of Beethoven’s, Ferdinand Ries, went on a walk with his teacher in the country: Beethoven muttered and howled the whole time, without emitting any definite notes. When I asked him what he was doing he answered, “A theme for the last allegro of the sonata [the Appassionata] has occurred to me.” When we […]
The James Bond themeJohn Barry did not get the chance to see any footage and he had not read any of Ian Fleming’s books when he was called in to work on the music for the first James Bond film, Dr No (1962), for which Monty Norman had originally been commissioned to write the score. “I was just […]
Glinka’s compositional priorities“My earnest desire is to compose music which would make all my beloved fellow countrymen feel quite at home, and lead no-one to allege that I strutted around in borrowed plumes.” – Mikhail Glinka Cited in Jerremy Nicholas, “Mikhail Ivanovich Glinka”, Classic FM, April 2012, p.35.
About the transcriber1 1 MUSIC TRANSCRIPTION Greg Smith is a freelance Australian composer and pianist. Greg completed his Bachelor of Music with Honors Class I and a University Medal at the University of Newcastle in 2001. He then graduated from a Master of Creative Arts, majoring in Performance Practice Issues in Russian Piano Music from the same […]
Horowitz’s practice regimeThe piano technician, Franz Mohr, observed: Horowitz was consistent in all that he did. His rehearsal was always on Saturday at 4:00 p.m., his performance was on Sunday. And I always had plenty of time to prepare his piano for the concert. Of course Horowitz would have never stolen my preparation time in order to […]
