Concert band
Orchestra/Concert band
by
Tags:
Featured Content
Cure for the common chord
He [John Holmes] entered my room around midnight and said, “‘Eureka!’ shouted Arnold Schoenberg. ‘I’ve found the cure for the common chord.’” Ned Rorem (2000) Lies: A Diary 1986-1999. Cambridge: MA: Da Capo Press, p.104.
Super-Hooper-Dyne LizziesGeorge Gershwin at the pianoThe theatre director Rouben Mamoulian describes Gershwin’s playing: George at the piano was George happy … like a sorcerer celebrating his Sabbath. He would draw out a lovely melody like a golden thread, then juggle it, twist it and toss it around mischievously, weave it into unexpected intricate patterns, and hurl it into a cascade […]
Music with no boundariesMusic can imply the infinite if enough things depart from the norm far enough. Strange “abnormal” events can lead to the feeling that anything can happen, and you have a music with no boundaries. – Morton Feldman, American composer Cited in Tom Johnson, Remembrance, September 1987. Accessed 13 May 2013.
Smooth jazz finds new way to reach audiencesWith shifts in the commercial music industry away from smooth jazz, musicians are finding new niches for smooth jazz such as cruises. Twenty years ago, of course, smooth jazz wasn’t a code to be cracked so much as a wave to be caught. Like most species of pop, it felt ubiquitous and maybe a little […]
It must be worth the effortMartinu on creating beautiful music: “It must be beautiful, or it wouldn’t be worth the effort.” Cited in: Calum MacDonald, “Bohuslav Martinu: Cosmopolitan Dreamer”, BBC Music, August 2009, p.45.
Pavarotti“Pavarotti is like someone who has swalled a Stradivarious.” – Peter Ustinov Cited in: Jarski, Rosemarie (2005) Great British Wit. London: Ebury Press, p. 203.
The effects of Brahms’ musicJames Huneker, a critic with the New York Courier, wrote about the impact of Brahms’ music on him: Brahms dreams of pure white staircases that scale the infinite. A dazzling, dry light floods his mind, and you hear the rustling of wings – wings of great terrifying monsters; hippogrifs of horrid mien; hieroglyphic faces, faces […]
Air IITitle: Air II Composer: Greg Smith Instrumentation: Piano Duet Level: Piano I – level 1 (five finger positions, left and right hands) Product medium: PDF score & MP3 accompaniment track (Audio sample of accompaniment track only)
Sleeping Beauty Waltz (Tchaikovsky)Title: Sleeping Beauty Waltz Composer: Pytor Il’ich Tchaikovsky Arranger: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part Sample:
