Having spent five days recording five Beethoven sonatas and two concertos, Schnabel wrote to his wife: This week was an ordeal, a torture chamber. “What does not kill me makes me stronger,” says Nietzsche. Hopefully (probably) this is true. I had no idea of how outrageous a process the recording on discs could be. Like […]

The inexpressible depth of all music, by virtue of which it floats past us as a paradise quite familiar and yet eternally remote, and is so easy to understand and yet so inexplicable, is due to the fact that it reproduces all the emotions of our innermost being, but entirely without reality and remote from […]

Franz Liszt owned Beethoven’s Broadwood piano.

  “You are an extremely valuable, worthwhile, significant person even though your present circumstances may have you feeling otherwise.” – James Newmann, American mathematician

Johannes Brahms wrote to Clara Schumann. whom he greatly admired: It is from you that I am constantly learning that one cannot obtain vital force out of books, but only out of one’s soul.  One must draw inspiration not from without, but from within. Cited in: Goss, Madeleine & Schauffler, Robert (1943) Brahms The Master. […]

“…few of us talk and write about the bigger picture of how our musical and tactical efforts are guided by three distinctly non-musical concepts that don’t get talked and written about often or openly enough: positive vision, abundant thinking, and a sense of self-worth. Thanks to technology, we now live in a world of vast […]

TITLE: Tale COMPOSER: Greg Smith INSTRUMENTATION: Bassoon and Piano PRODUCT MEDIUM: PDF score and part PRICE: $11.95 SAMPLES:

Accounts vary on where Irving Berlin wrote “White Christmas”. Berlin himself even recall differing circumstances on when it was penned. Some sources claim at was written at the poolside in Aizona Biltmore Resort and Spa in Phoenix. Other accounts state that is was in Beverly Hills, California. In any case, the narration is set in […]

I remember a few years ago being at a summer academy in the south of France, with Dominique Merlet. The whole atmosphere was great there, as we were a group of like-minded people, keen to learn, work and share ideas in the gorgeous setting of a little medieval French village. The concert at the end, […]

Hubert Parry, who taught Vaughan Williams composition, instructed the composer to “write choral music as befits and Englishman and a democrat.” Vaughan Williams recalled that “this attitude to art led to an almost moral hated of mere luscious sound…” Vaughan Williams, cited in Holmes, Paul (1997) Vaughan Williams. London: Omnibus Press, p.17.