The Battle of the Somme

Title: The Battle of the Somme
Composer: Greg Smith
Performer: Greg Smith
Instrumentation: Piano
Product medium: MP3 download (25 tracks; 73:00)
Related products:
Full score (PDF download). 80 pages.

Background:
In 1916 France was struggling to fend off German occupation.
It had become apparent that to break the stalemate Britain may
need to increase its involvement in battle. Plans were made in
late 1915 by French commander Joseph Joffre for coordinated
offensives on all fronts. On the western front, Joffre planned to
attack Picardy near the Somme River, which marked the boundary
between the French and British forces. However, by July 1916, the
French forces had weakened and the Somme offensive became a
primarily British battle.

The initial attack was made on 1 July 1916 at 7.30am. 100,000 men
from British forces went into battle on that day.19,240 British
troops died that day. The battle would continue for one hundred
and forty-one days.

Geoffrey Malins and John McDowell, British army cinematographers,
filmed footage of the preparations and Battle of the Somme. The
live footage was recorded between 26 June and 8 July 1916. Some
shorted staged sequences were staged in later July.

The footage was first shown in London on 10 August 1916 at the
Scala Theatre and was publicly released 21 August.

This original score was created for a live Remembrance Day
Observance presented by the Teachers Sub-Branch of the RSL and
Australia’s Silent Film Festival on 12 November 2012.

TRACK LISTING AND PREVIEWS:

Track Title Time Preview
1 Prelude – Preparatory Action 3:38
2 Industrious French peasants – Care of
artillery horses
5:28
3 4-7 inch guns 3:51
4 London Scottish and East Yorkshires troops 2:35
5 Firing plum puddings 2:16
6 Campsite of the Royal Warickshires 1:48
7 Havoc caused by Howitzers 1:25
8 A further moving up of troops 1:33
9 Flying pigs 1:25
10 Grandmother Howitzer 2:27
11 Lancaster Batalion 1:27
12 Attack 2:01
13 Further attack 5:50
14 Relief of Lancaster Battalion – troops
return with prisoners
7:52
15 Arrival of wounded and prisoners 4:09
16 Dressing station for the slightly wounded 2:15
17 German curtain fire 1:31
18 Clearing the battle fields – Routing the
Germans from dug outs
1:52
19 Effect of British shell fire on German
trenches
3:38
20 Aftermath 2:49
21 The battered German stronghold at Fricourt 4:18
22 Some of the booty – German trench mortors –
Captured field artillery
1:21
23 A welcome rest 1:40
24 Royal Fusiliers cleaning up 1:32
25 Washup – Roll call – Clear up – Seeking
further laurels – Less fortunate depart for England
4:59

4


Posted

in

by


Featured Content

The importance of good texts
Mozart described the importance of good operatic texts in a letter regarding The Abduction from the Seraglio (Die Entführung aus dem Serail) in a letter to his father in 1781: …the Poesie is totally in tune with the character if this stupid, coarse, and malicious Osmin [the servant character] – and I am well aware […]
Beethoven distracted
A student of Beethoven’s, Ferdinand Ries, went on a walk with his teacher in the country: Beethoven muttered and howled the whole time, without emitting any definite notes.  When I asked him what he was doing he answered, “A theme for the last allegro of the sonata [the Appassionata] has occurred to me.”  When we […]
In Memory of Those in Paradise
Title: In Memory of  Those in Paradise   Composer: Greg Smith Instrumentation: Cello and piano Product medium: PDF score SAMPLE:
Wagner’s observations on the English and oratorios
Wagner attended a performance of Messiah at Exeter Hall in London with a chorus of 700 voices. He recorded in his autobiography: It is here that I came to understand the true spirit of English Protestantism. This accounts for the fact that an oratorio attracts the public far more than an opera. A further advantage […]
Beethoven as a boy
In his Beethoven: Biography of a Genius, Marek provides an insight into Beethoven as a boy: The boy was looking out of the window, his head cradled in his hands.  His mien was serious, his glance rigid. Cäcilia Fischer came along the courtyard and saw him. “How are you, Ludwig?” she shouted up to him.  […]
Beethoven our artistic brother
It is the function of art to bring to us emotions, thoughts, states of mind and heart which are larger and more exalted and more intense than those we can produce ourselves, but which we can still recognize as possible within the compass of our imagination, still lying within our capacity for thinking and feeling. […]
Luther on music
“I am not satisfied with any man who despises music. For music is a gift of God. It will drive away the devil, and makes people cheerful. Occupied with it, man forgets all anger, unchastity, pride, and other vices. Next to theology, I give music the next place and highest praise.” – Martin Luther Cited […]
Brass
Brass ensemble Trombone
Golden rules for an orchestra
‘”There are two golden rules for an orchestra: start together and finish together. The public doesn’t give a damn what goes on in between.” – Thomas Beecham, conductor.  Cited at: Quotationsbook
Elgar on his Violin Concerto
“It’s good! Awfully emotional! Too emotional, but I love it…” Edward Elgar on his own Violin Concerto Jeremy Pound, “First Violin”, BBC Music Magazine, October 2010, p. 36.