The here and now

“It is a mark of soulfulness to be present in the here and now. When we are present, we are not fabricating inner movies. We are seeing what is before us.”

– John Bradshaw (1992) Creating Love: The Next Great Stage of Growth.  United States: Bantam Books, p.127.


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My God, My God, Why Have You Abandoned Me? – Psalm 21 (22)
Title: My God, my God, why have you abandoned me? Text: Psalm 21 (22): 8-9. 17-20. 23-24. R. v. 2 Composer: Greg Smith Instrumentation: SATB and organ Product medium: PDF score and part Sample:
The musical memory
“Of course, almost anybody can memorize things, especially music. It’s like the ABCs and, for most, fun to do. I’ve taught music in middle school programs and have been surprised at the hefty repertoires of popular music that 12- to 16- year olds commit to memory. To boot, they knew when I made a mistake […]
Debussy on Metronome markings
You know what I think about metronome marks: they’re right for a single bar, like “roses, with a morning life”. Only there are “those” who don’t hear music and who take these marks as authority to hear it still less! But do what you please. — Debussy, Letter to Jacques Durand of 9 October 1915 […]
Vaughan Williams on sense of musical citizenship
Vaughan Williams wrote a series of articles for the Royal College of Music magazine entitled “Who Wants the English Composer?”. In these, he expresses his advocacy for an exploration of the English musical style: We English composers are always saying, “Here are Wagner, Brahms, Grieg, Tchaikovsky, what fine fellows they are, let us try and […]
Nino Rota on happiness and music
“When I’m creating at the piano, I tend to feel happy; but – the eternal dilemma – how can we be happy amid the unhappiness of others? I’d do everything I could to give everyone a moment of happiness. That’s what’s at the heart of my music.” Nino Rota, Italian composer. Cited at: Wikipedia.
Obedience and liberty in creativity
A great work, I believe, is made out of a combination of obedience and liberty. Such a work satisfied the mind, together with that curious thing which is artistic emotion. Stravinsky said, “If I were permitted everything, I would be lost in the abyss of liberty.” On the one hand he knew the limits, on […]
The juggling jazz musician
“A jazz musician is a juggler who uses harmonies instead of oranges.” – Benny Green, British saxophonist Benny Green (1975) A Reluctant Art: The Growth of Jazz.  Books for Libraries Press, p. 16.
Hoffman on technique
Technic  represents the material side of art, as money represents the material side of life.  By all means achieve a fine technic, but do no dream that you will be artistically happy with this alone.  There is a technic which liberates and a technic which represents the artistic self.  All technic ought to be a […]
A good performance
A good performance is one that moves me. But it is not only the passion and emotion expressed in a performance that move me, it is also allowing the clarity of the structure, as well as the different characters, to shine through, a well-judged balance, a sense of architecture of the whole piece and, at […]
Beethoven’s shutters
Beethoven moved often, and his landlords were not always keen to have him back. While he was working on the Ninth Symphony in 1923, Beethoven couldn’t stand his present lodgings in Hetzendorf, as the landlord, Baron Pronay, constantly bowed to him when they met.He sought lodgings where he had previously stayed in Baden.  The landlord […]