Satie’s day

Satie wrote that “An artist must organise his life.” In 1913, he set said out a schedule in which he stated he would be inspired between 10:23 and 11:47am, and 3:12 to 4:10pm. The timetable allowed for daily house riding, and various other activities such as fencing, reflection, immobility, visits, contemplation, swimming, etc. The day would end with symphonic readings (out loud) from 8:09 to 9:59pm. Curiously, he only allowed three minutes for lunch (12:11 to 12:14pm) and four minutes for dinner (7:16 to 7:20pm), in which he would only eat white foodstuffs: “eggs, sugar, scraped bones, fat from dead animals, veal, salt, coconut, chicken cooked in white water; mouldy fruit, rice, turnips; camphorated sausage, things like spaghetti, cheese (white), cotton salad and certain fish (minus their skins).”

The full text of “The musicians day” is found in Oliver Strunk’s Source Readings in Music History, volume 7, The Twentieth Century, New York, W. W. Norton & Company, 1998, p.216.


Posted

in

by

Tags:


Featured Content

Sleepy Bear
Title: Sleepy BearComposer: Greg SmithInstrumentation: PianoPerformer: Greg Smith (22 March 2009) Your browser does not support the audio element. Sheet music
Nick Cave on the creative process
Worry less about what you make — that will mostly look after itself, and is to some extent beyond your control, and perhaps even none of your business — and devote yourself to nourishing this animating spirit. Bring all your enthusiasm to bear on the development of that good and essential force. This is done […]
Autumn Leaves
Pianist Roger Williams on his hit recording of Autumn Leaves (which was recorded three days after signing his contract with Kapp records): “I said, ‘You mean ‘Falling Leaves’? I didn’t even know the title,” Mr. Williams told the Los Angeles Times in 1996. “I stayed up Friday and then Saturday night working on an arrangement.” […]
Tchaikovsky’s Work Ethic
We must always work, and a self-respecting artist must not fold his hands on the pretext that he is not in the mood. If we wait for the mood, without endeavouring to meet it half-way, we easily become indolent and apathetic. We must be patient, and believe that inspiration will come to those who can […]
Abstraction XVII
Title: Abstraction XVII Composer: Greg Smith Performer: Greg Smith (April 2020) Instrumentation: Piano Product medium: MP3 recording Related products:– Abstraction XVII (PDF score)
I dream …
“I dream, therefore I exist.” —August Stringberg, A Madman’s Defence (Le plaidoyer d’un fou)
Szymanowski’s dogs
The Polish composer Karol Szymanowski was brought up in  very musical environment: he had a dogs named “Scherzo” and “Crotchet”. Source: Palmer, Christopher (1983) Szymanowski.  London: BBC, p. 9.
Composing in the bath
Gustav Mahler recalled: After an illness, Bruckner was ordered by his doctor to take a daily hip-bath.  Loath to waste time, he would take music paper and compose while in the tub.  While absorbed in his work one day, the mother of Rudolf Kryzanowski, one of his pupils, knocked at the door.  “Come in!” called […]
The Battle of the Somme
Title: The Battle of the Somme Composer: Greg Smith Performer: Greg Smith Instrumentation: Piano Product medium: MP3 download (25 tracks; 73:00) Related products: – Full score (PDF download). 80 pages. Background: In 1916 France was struggling to fend off German occupation. It had become apparent that to break the stalemate Britain may need to increase […]
Gillparzer’s tribute to Beethoven
…He who lies here was possessed. Seeking one goal, caring only for one result, suffering and sacrificing for one purpose, those did this man go through life… If there are some of us who can still feel a sense of total dedication in these fractured times, let us meet at his grave. Has it not […]