The inexpressible depth of all music, by virtue of which it floats past us as a paradise quite familiar and yet eternally remote, and is so easy to understand and yet so inexplicable, is due to the fact that it reproduces all the emotions of our innermost being, but entirely without reality and remote from its pain.
Arthur Schopenhauer, philosopher
A. Schopenhaurer, The World as Will and Representation, Translated by E. F. J. Payne, Vol. 1, United States, Dover Publications, 1969, p. 264.
The inexpressible depth of music
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Szymanowski on Ravel
The Polish composer Karol Szymanowski wrote of the French composer Maurice Ravel in 1925: Whether he writes a “Rapsodie espagnole”, “Mélodies grecques”, or the almost Viennese “La Valse”, he always remains one of the foremost fascinating representatives of the genius of his race. He assembles all the fundamental elements of that most beautiful culture in […]
Abstraction ITitle: Abstraction Composer: Greg Smith Instrumentation: Piano Product medium: PDF score Sample:
Sight singing with HandelWhen Handel travelled through Chester, on his way to Ireland, this year, 1741 (to give the first performance of Messiah), I was at the Public School in that city and very well remember seeing him [Handel] smoke a pipe, over a dish of coffee, at the Exchange Coffee House; for being extremely curious to see […]
Glinka’s compositional priorities“My earnest desire is to compose music which would make all my beloved fellow countrymen feel quite at home, and lead no-one to allege that I strutted around in borrowed plumes.” – Mikhail Glinka Cited in Jerremy Nicholas, “Mikhail Ivanovich Glinka”, Classic FM, April 2012, p.35.
The silent bass clarinetDuring a rehearsal of Schubert’s Unfinished Symphony: Stokowski had inserted a gratuitous part for bass clarinet. “It so happens,” wrote O’Connell, “that the player of this instrument was a quite temperamental gentleman as well as a composer, and when he saw Stokowski’s addition to Schubert’s score, he was possessed by fury.” When he expressed his […]
The inner drama of manIt is not what the artist does that counts. But what he is. Cézanne would never have interested me if he had lived and thought like Jaques-Emile Blanche, even if the apple he had painted had been ten times more beautiful. What interests us is the anxiety of Cézanne, the teaching of Cézanne, the anguish […]
Bunking down in the PhilharmonicCellist Gregor Piatigorsky, after running into some problems with his accommodation, was spending a cold November day in the Tiergarten, Berlin, in 1923. Throughout the course of the day, he was approached by Paul Bose to play Schoenberg’s Pierrot Lunaire. It began to rain. In Moscow it probably is snowing now, I thought absently, making […]
Origins of the name BeethovenThe Beethoven family tree can be traced back to the mid 13th century. The name appears in chronicles of Flemish cities, in parts of northern France, in Mechlin and Antwerp. Two possible theories of the origins of the name are: – van (the) Hof (Beet-Garden) – grower of Beets – after the Belgium town of Betouwe (“be” […]
About the transcriber1 1 MUSIC TRANSCRIPTION Greg Smith is a freelance Australian composer and pianist. Greg completed his Bachelor of Music with Honors Class I and a University Medal at the University of Newcastle in 2001. He then graduated from a Master of Creative Arts, majoring in Performance Practice Issues in Russian Piano Music from the same […]
StringsCello and piano String ensemble