Composer: Greg Smith
Title: “The Fox (New Year’s Day)” from Tableaux
Performer: Greg Smith (January 2025)
Instrumentation: Piano
The Fox (New Year’s Day)
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Creativity
“Creativity is inventing, experimenting, growing, taking risks, breaking rules, making mistakes, and having fun.” — Mary Lou Cook, American community activist and author Reagan, M., Phillips, B. (1995) The All-American Quote Book. United States: Harvest House, p. 68.
Jan Lisiecki on ChopinSchumann described Chopin’s works as “cannons buried in flowers”. Contained in Chopin’s music are painful moments, suffering, longing and much drama. Similarly to Mozart, the external impression may be one of pure beauty, elegance, exuberance or joy but, deep down, there is something else entirely, a sort of imprecise discomfort, a certain malaise. The contrast […]
Menken on the the strength of music“It’s like, why move to Florida if you don’t like the sun?” says Menken when I visit his home in North Salem, an hour out of New York. “Music is a viscerally powerful medium, both on a bodily level and on an emotional level. There are intellectual components about it, but its basic strength comes […]
The Castle BuilderTitle: The Castle Builder Text: Henry Wadsworth Longfellow Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
FocusConcentrate all your thoughts upon the work at hand. The sun’s rays do not burn until brought to a focus. – Alexander Graham Bell Orison Swett Marden, (1901) “Bell Telephone Talk”, How They Succeeded. Boston: Lothrop Publishing Company, p. 38. Digitally archived at https://archive.org/details/howtheysucceeded00mardrich/mode/2up, accessed 11 September 2021.
Achieving great things“To achieve great things, two things are needed: a plan and not quite enough time.” – Leonard Bernstein
Copland on film musicAmerican composer Aaron Copland on the role of film music: I was very fascinated by the medium because a composer can be a real help in the making of a film. The way you can prove that, of course, is to see a film before the public has seen it, in the studio room, and […]
Paper and matches for maintenanceWhen Spanish cellist Pablo Casals was in his seventies, he retired from the concert stage and lived in Prades, Southern France. Casals began each day by playing from Bach’s Well-Tempered Clavier on the piano (1), then heading out for a walk with his German shepherd, cocking an ear for birdsong and saluting the snow-capped peak […]
Love your musicWhen I was 19 years old I joined Columbia Artists in New York. It was my first management and a momentous event in my life. All of a sudden here I was, part of what was perceived to be one of the most prestigious such organizations in the country. It was a big time and […]
Stokowski and his audienceThe conductor Leopold Stokowski had a love hate relationship with his audience: He wooed them and cajoled them, flattered them and then gently reproved them. When they grew fidgety, he shamed them into attentiveness and concentration. “Please don’t do that,” he once admonished an audience of program shufflers. “We work hard all week to give […]
