Title: The Lord hears the cry of the poor Text: Psalm 32 (33): 2-3, 17-19, 23 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:

In mid-nineteenth century England, whistling was a common source of entertainment and as part of the general reception to a piece of music. An article in March 1854 in The Musical Times reported: We were sorry to hear the vile practice of whistling again carried on to some extent at the concert; were the well-meaning […]

With shifts in the commercial music industry away from smooth jazz, musicians are finding new niches for smooth jazz such as cruises. Twenty years ago, of course, smooth jazz wasn’t a code to be cracked so much as a wave to be caught. Like most species of pop, it felt ubiquitous and maybe a little […]

“Language has created the word loneliness to express the pain of being alone, and the word solitude to express the glory of being alone.” – Paul Johannes Tillich, German American theologian and philosopher

“Music had stirred him like that.  Music had troubled him many times.  But music was not articulate.  It was not a new world, but rather another chaos, that it created in us.” – Oscar Wilde, The Picture of Dorian Grey.

American composer Steve Reich on Schoenberg and his compositional style: Schönberg is the beginning of the death of German Romanticism. It’s about deciding that we didn’t need harmonic organization. But this was music for a small cadre of listeners. I think Schönberg said, “In fifty years, the postman will whistle my tunes.” Well, it’s been […]

“Art does not progress – it transforms itself.” – François-Joseph Fétes Siblin, Eric (2009) The Cello Suites.  Crows Nest: Allen and Unwin, p. 191.

“It’s like, why move to Florida if you don’t like the sun?” says Menken when I visit his home in North Salem, an hour out of New York. “Music is a viscerally powerful medium, both on a bodily level and on an emotional level. There are intellectual components about it, but its basic strength comes […]

Music can imply the infinite if enough things depart from the norm far enough. Strange “abnormal” events can lead to the feeling that anything can happen, and you have a music with no boundaries. – Morton Feldman, American composer Cited in Tom Johnson, Remembrance, September 1987. Accessed 13 May 2013.

PERFORMANCE BIOGRAPHY GREG SMITH Certifications and degrees: – 1996: Associate of Music, Australia (A. mus. A.) in piano performance – 1998: Licentiate of Music, Australia (L. mus. A.) in piano performance – 2001: Bachelor of Music, with honours, class I (University Medal).  University of Newcastle.  Double major in piano and composition. – 2003: Master of […]