Title: Abstraction XII Composer: Greg Smith Instrumentation: Piano Product medium: PDF score Sample:  

Title: Prayer of Thanksgiving to the Trinity Text: St. Catherine’s Dialogue on Divine Providence Composer: Greg Smith Instrumentation: SATB     Related products:     – Prayer of Thanksgiving to the Trinity – Easy piano (PDF score)     – Prayer of Thanksgiving to the Trinity – Concert band (PDF score) Product medium: PDF score Sample:

Abram Chasins visited Rachmaninoff in Hollywood: Arriving at the designated hour of twelve, I heard an occasional piano sound as I approached the cottage. I stood outside the door, unable to believe my ears, Rachmaninoff was practising Chopin’s étude in thirds [G sharp minor, Op. 25, No. 6], but at such a snail’s pace that […]

Rob Deemer highlights several aspects needed for a composer to survive in the artistic community: – ability to accept “failure” (entering competitions, etc.) – maintaining a “stubbornness” to achieve recognition – promoting not only your best works, but also occasionally enjoying the success of your “foibles” – having a sense of “who you are” as […]

“Creativity can solve almost any problem — the creative act, the defeat of habit by originality, overcomes everything.” — George Lois, American art director, designer and author. G. Lois, Damn good advice (for people with talent!): how to unleash your creative potential by America’s master communicator, London: Phaidon Press, 2012.

“Real genius is nothing else but the supernatural virtue of humility in the domain of thought.” Simone Wells, French philosopher and mystic. Cited at QuotationsBook

Brahms attended a Wagner concert in Vienna: All through the concert Johannes sat in stony silence. At the close, when everyone was applauding vigorously, he still made no move or comment.  Finally his companion – beside himself with enthusiasm – cried: “What music! Wasn’t it marvellous?” The composer raised his eyebrows a little.  Then he […]

“It’s a challenge, for me at least, to do nothing but listen.  You need to set aside time for it.  You need to concentrate on the music alone (and not on your next deadline).  But when it works, you open yourself up to the transcendent ecstasy good music can bring.” Francis Merson, editor, Limelight, April […]

John Barry did not get the chance to see any footage and he had not read any of Ian Fleming’s books when he was called in to work on the music for the first James Bond film, Dr No (1962), for which Monty Norman had originally been commissioned to write the score.  “I was just […]