Opportunities

No man can tell what the future may bring forth, and small opportunities are often the beginning of great enterprises.

—  Demosthenes, Ad Leptinem, 162

Harbottle, Thomas Benfield (1897) Dictionary of Quotations (Classical).  London: S. Sonnenschein & co, p. 51.  Digitally archived at https://archive.org/details/dictionaryofquot00harbiala/page/511/mode/2up, accessed 12 September 2021. 


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Wagner’s observations on the English and oratorios
Wagner attended a performance of Messiah at Exeter Hall in London with a chorus of 700 voices. He recorded in his autobiography: It is here that I came to understand the true spirit of English Protestantism. This accounts for the fact that an oratorio attracts the public far more than an opera. A further advantage […]
Shaw on the cello
In the nineteenth century, the cello was regarded as an important solo instrument.  George Bernard Shaw wrote in 1890 “I am not fond of the violoncello: ordinarily I had as soon hear a bee buzzing in a stone jug.” Siblin, Eric (2009) The Cello Suites.  Crows Nest: Allen and Unwin, p. 71.
Szymanowski’s dogs
The Polish composer Karol Szymanowski was brought up in  very musical environment: he had a dogs named “Scherzo” and “Crotchet”. Source: Palmer, Christopher (1983) Szymanowski.  London: BBC, p. 9.
Technique is not music
“Technique is not music. Music is the thousandth of a millisecond between one note to the other—that’s where the music is.”  — Isaac Stern, in an interview with Mark Stryker Cited in: Green, Barry (2003) The Mastery of Music: Ten Pathways to True Artistry. New York: Broadway Books, p. 2.
A Tear Hangs There (Tchaikovsky)
Composer:  Pytor Il’yich Tchaikovsky (arr. Greg Smith) Title: A Tear Hangs There (Слеза дрожит), Op. 6. No. 4 Instrumentation: Cello and piano Product medium: PDF score and part Sample:
Claudio Arrau in Newcastle
While the Century Theatre in Broadmeadow (Australia) primarily operated as a cinema, it was also hosted concerts, including by the Sydney Symphony Orchestra. On one occasion, Claudio Arrau performed in the theatre, as recalled by Harry Armstrong: With only a few minutes to go before the famous pianist was scheduled to commence his performance, which […]
Beethoven’s letter
A letter written by composer Ludwig van Beethoven has emerged in Germany after being left in a will. In the six-page document of Beethoven’s scrawled corrections, he complains about his illness and a lack of money. Experts were already aware of the 1823 letter’s existence, but say it is of historic value. BBC News, 11 […]
Hough and Schnabel on piano rolls
I want to believe in piano rolls. The idea that we can insert an object into a present-day piano and hear long-dead pianists and composers perform again as if they were in the same room is a tantalisingly attractive prospect. It has a magical aura about it. But, I’m afraid, it’s a conjuring trick, or […]
Beethoven conducting
On 5 April 1803 Beethoven conducted an concert of his own works: the First and Second Symphonies; The Third Piano Concerto, and his oratorio Christ on the Mount of Olives. It is likely that the he directed the piano concerto (which he played) from the piano. Ignaz von Seyfried gave an account of Beethoven’s conducting […]
The greatest applause
“The silence that accepts merit as the most natural thing in the world, is the highest applause.” — Ralph Waldo Emerson “An address delivered before the senior class in Divinity College, Cambridge, Sunday Evening, July 15, 1838”, The Works of Ralph Waldo Emerson, in 12 vols. Fireside Edition (Boston and New York, 1909). Vol. 1 […]