Johannes Brahms and the violinist Eduard Remenyi had been concertizing to great success in Cello and Lüneberg.  By this time the two musicians were so elated over their success that they decided to try a concert in the city of Hildesheim entirely on their own.  They had no one there to herald their coming, write […]

In attempting to capture something of the experience of being alive, the words themselves must be alive. Words, when living and breathing are like musical chords. The full resonance of the chord or phrase must be allowed to be heard in all of its suggestive imprecision. We must attempt in our use of language in…our […]

“I was born with eyes closed listening to my heartbeat from my mother’s womb… There, without knowing it, I discovered that I would be born and would die for music…” – Alicastro Source: Peer Music.‘

“Discovery is seeing what everybody else has seen, and thinking what nobody else has thought.” Albert Szent-Györgyi , American bio-chemist.

From 1882, nine-year-old Rachmaninoff moved to St Petersburg to study at the conservatoire. In the comfortable knowledge that, even if he did not practice, his efforts were more successful than those of his classmates, young Sergei grew lazier and lazier. In the end he did nothing at all, showed a marked preference for shirking his […]

“Never compose anything unless the not composing of it becomes a positive nuisance to you.” Gustav Holst Cited in: Classic FM, May 2011

Title: Lord, make us turn to you Text: Psalm 79 (80) Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:

Emma Ayres, a violist and former ABC Classic FM radio presenter, discusses her experience in teaching in Kabul at the Afghanistan National Institute of Music. CP: You teach viola, cello, and violin as well? EA: A little bit of violin and a little bit of double bass, although I’m not a very good double bass […]

Composer: Joe HisaishiArranger: Greg SmithTitle: “Ask Me Why (Evacuation)”, from The Boy and the HeronInstrumentation: Piano Solo This item is available from Sheet Music Direct and Sheet Music Plus.

Beethoven’s revised version of Fidelio was due to be premiered on the 23rd May 1814. Beethoven had planned to write a new overture for the performance. He was still yet to complete it before the final rehearsal on the 22nd May. The night before, he was dining out with his physician (Dr. Bertolini). After dinner, he took a menu, […]