Title: Prayer of Thanksgiving to the Trinity Text: St. Catherine’s Dialogue on Divine Providence Composer: Greg Smith Instrumentation: Piano (easy)     Related products:     – Prayer of Thanksgiving to the Trinity

“All theory is grey, but the precious tree of life is green.” Maurice Ravel to Hélène Jourdan-Morhange, describing Schoenberg’s intellectualism.  Hélène Jourdan-Morhange, Ravel et nous (Geneva, 1945), p. 104.  Cited in:  Nichols, Roger (1987) Ravel Remembered.  London: Faber & Faber., p. 61.

To mark the 400th anniversary of Henry Hudson's voyage up the Hudson river in New York, composer Joseph Bertolozzi sampled sounds of percussively hitting various parts of the bridge.  He now has his sights set on using the Eiffel Tower.  Wakin, Daniel, ""After Music from a Bridge, Why Not A Tower?"", Arts Beat, 8 July […]

“You musicians, you poets, prose-writers, actors, pianists, conductors, whether of third or second or even first rank, you do not have the right to meddle with a Shakespeare or a Beethoven, in order to bestow on them the blessings of your knowledge and taste.” – Hector Berlioz, on tampering with fine creations (in this case, […]

“All I have left is a long nose and a fourth finger out of practice.” Chopin, in Scotland, unable to visit his friend Julian in London because of ill health. Cited in: Zaluski, Iweo & Pamela (1993) The Scottish Autumn of Frederick Chopin. Edinburgh: John Donald Publishers, p.23.

TITLE: Lord, Heal My Soul TEXT: Psalm 40 (41): 2-5, 13-14. R. v.5 COMPOSER: Greg Smith INSTRUMENTATION: SATB and piano SAMPLE:  

“Music must be given to those who love it. I want to give free concerts; that’s the answer.” -Sviatoslav Richter, pianist Bruno Monsaingeon: Introduction to Sviatoslav Richter — Notebooks and Conversations p. XX. Cited at: Wikipedia

"I try to put the pulse of my times into my music and do it in a lasting way." – George Gerswhin Cited in: Greenberg, Rodney (2008) George Gerswhin.  New York: Phaidon Press, p.216.   '

Anton Bruckner developed a condition call numeromania that compelled him to count everything – cathedral gables, stars, leaves on the trees; even the number of bars in his lengthy symphonies. Source: Lawrence, Christopher (2001) Swooning.  Sydney: Random House, p.70.

Murray Perahia initially found Beethoven hard to understand: “I was always working on Beethoven, but I couldn’t feel close to him.  For nearly ten years I didn’t altogether like his music because I felt it showed an aggressive, up-front personality.”  But after studying, performing, and recording Beethoven (Appasionata,op. 2, op. 101 and the Piano Concertos), […]