Some curious answers for the Society of Arts published in the Musical Times (English Journal), July 1888: The Examiner’s report on the papers worked by the candidates in the recent Theoretical Examinations of the Society of Arts shows some very curious facts. … Mistakes in spelling have not been accredited with loss to to the […]

‘”…turning 40 and new fatherhood have other effects: ‘It opens things up emotionally’, he says.  ‘I find that my whole perspective on life and my whole emotional range generally has changed.  I laugh more easily and cry more easily.  And that probably has an impact on the music making in one way or another.  Everything […]

“Without this playing with fantasy no creative work has ever yet come to birth. The debt we owe to the play of the imagination is incalculable.” – Carl Jung, Swiss psychiatrist and founder of Analytical Psychology Quoted at QuotationsBook  

”You see,” he said, ”I have a very substantial program, and after a substantial program, you can’t play a substantial encore. You play a little … ” at this, he strummed the air with his fingers, tinkling an imaginary piano. ”It is,” he said, ”anticlimactic.” Clyde Haberman, “3,500 Japanese Applaud Horowtiz for 14 Minutes”, The […]

Chopin can hardly write anything now but that we feel like calling out in the seventh or eighth measure, “It is by him!” – Robert Schumann, 1838 P. Kildea, Chopin’s Piano, London, Allen Lane, 2018, p. 43.

The thing that makes a creative person is to be creative and that is all that there is to it. — Edward Albee, American playwright  Kolin, Philip (ed.) (1988) Conversations with Albee.  Jackson: University Press of Mississippi, p.35.

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"I know of no work by Schumann that is not wonderful and inspiring.  One must leave every note just as he wrote it and experiment in order to find the correct balance and equilibrium.  With Schumann there is always this burning inventiveness, this unbelievable inspiration." – András Schiff.  Cited in Julian Haylock ""The Music of […]

On 5 April 1803 Beethoven conducted an concert of his own works: the First and Second Symphonies; The Third Piano Concerto, and his oratorio Christ on the Mount of Olives. It is likely that the he directed the piano concerto (which he played) from the piano. Ignaz von Seyfried gave an account of Beethoven’s conducting […]

Emma Ayres, a violist and former ABC Classic FM radio presenter, discusses her experience in teaching in Kabul at the Afghanistan National Institute of Music. CP: You teach viola, cello, and violin as well? EA: A little bit of violin and a little bit of double bass, although I’m not a very good double bass […]