“As musicians, we are already doing something for the world … We make it more flowing? … Through music”. Pianist Lang Lang Shirley Apthorp, “Piano Man”, The Australian, May 14 2011.

“Empty pockets never held anyone back. Only empty heads and empty hearts can do that.” – Norman Vincent Peale, American author and preacher Cited at QuotationsBook  

“Whoever communicates to his brothers in suffering the secret splendour of his dreams acts upon the surrounding society in the manner of a solvent and makes all those who understand him, often without their realisations, outlaws and rebels.” Pierre Quillard (symbolist poet), 1892.

Music theatre writer Oscar Hammerstein loved to play games.  His nephew recalls: There’s a family story about his game-playing. I can’t vouch for its authenticity, but it rings true. He was playing a very informal game of bridge with two of his collaborators, the composers Jerome Kern and Sigmund Romberg, and someone else one afternoon. […]

In 1900, Rachmaninoff worked at the Yekaterininsky Girls’ Institute.  One of his students recalled her experience of examination day: The lessens after luncheon seem an eternity – the examination is to begin at 4.I straighten the front bow of my apron, gather my music together, and run to the music room.  The students to be […]

A performance of Schönberg’s Pierrot Lunaire was given by Artur Schnabel (piano), Boris Kroyt (violin), Gregor Piatigorsky (cello), Paul Bose (flute), Marie Gutheil-Schoder (speaker), conducted by Fritz Stiedry. Gregor Piatigorsky was amused at the need for a conductor, given the size of the ensemble: The half-spoken, half-sung voice indicated in the score was partly filled […]

“John Cage once said he couldn’t abide the Dominant Seventh, and the saxophone.” Ned Rorem (2000) Lies: A Diary 1986-1999.  Cambridge: MA: Da Capo Press, p.65.

“What greater pleasure is there is life than giving young and beautiful talent a little lift in the direction of the stars though they will never reach them.” Sir Clifford Curzon – English pianist Pianist, No. 59, April-May 2011, Warner Group publications, p.10.

Nadyezhda Filaretovna von Meck was Tchaikovsky’s patroness.  In March 1877 she wrote of the effect of Tchaikovsky’s music on her.  The work being described is a Marche Funèbre on a theme from Oprichnik (this work is now lost).    It is so superb that, as I had hoped, it elevates and transports me into a […]

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