Misprints remain“Some misprints remain on my scores, because for some reason I have always been in a rush to get the proofs to the publisher by the deadline. In the orchestral parts everything has usually been corrected.” Jean Sibelius, to Jussi Jalas, 27th July 1942 Cited at: www.sibelius.fi [accessed 31 Mar 2010].
Art is a crucial, dangerous operationIf a man teaches composition in a university, how can he not be a composer? He has worked hard, learned his craft. Ergo, he is a composer. A professional. Like a doctor. But there is that doctor who opens you up, does exactly the right thing, closes you up—and you die. He failed to take […]
The origin of the intervalPlays in the Jacobean period (16th century England) were divided into acts to enable the theatre company to manage the candles. Source: Martin White, University of Bristol. “Shakespeare by Candlelight”, The Times, Cited in The Australian, 30 November 2012.
Of the Father’s love begottenTitle: Of the Father’s Love Begotten Tune: Divine Mysterium Composer: 11th Century Chant Arranger: Greg SmithInstrumentation: SATBProduct medium: PDF score Sample:
WeedsBut weeds have this virtue: they are not easily discouraged; they never lose heart entirely; they die game. If they cannot have the best, they will take up with the poorest; if fortune is unkind to them today, they hope for better luck tomorrow; if they cannot lord it over a corn-hill, they will sit […]
The path of an artist“A good traveler has no fixed plans and is not intent upon arriving. A good artist lets his intuition lead him wherever it wants.” – Lao Tzuo, Chinese philosopher. Cited at: QuotationsBook
Sleepy BearTitle: Sleepy BearComposer: Greg SmithInstrumentation: PianoPerformer: Greg Smith (22 March 2009) Your browser does not support the audio element. Sheet music
Doing what I can’t do“I am always doing what I can’t do yet in order to learn how to do it”. – Van Gogh, painter, in a letter to Anthon van Rappard, 1885
When precision isn’t enoughDebussy was well known for wanting precision in performance. However, it was not always quite enough: Some time in 1917 Debussy went to hear the Suite played by a famous pianist. ‘How was it?’ I asked him on his return. ‘Dreadful. He didn’t miss a note.’ ‘But you ought to be satisfied. You who insist […]
Waiting for inspirationThe composer does not sit around wait wait for inspiration to walk up and introduce itself … Making music is actually little else than a matter of invention aided and abetted by emotion. In composing we combine what we know of music with what we feel. — George Gershwin Isaac Goldberg. Tin Pan Alley. New […]