“If I could express the same thing with words as with music, I would, of course, use a verbal expression. Music is something autonomous and much richer. Music begins where the possibilities of language end. That is why I write music.” Jean Sibelius, in an interview with Berlingske Tidende, 10th June 1919. Cited at: www.sibelius.fi […]

“Our modernized minds need to be musicalized. We have defied the intellect … and developed only half of man’s possibilities. There is no other human activity that asks for such a harmonious cooperation of “intellect” and “soul” as artistic creation, especially music.” Ernst Levy, Swiss composer, musicologist, pianist and conductor. Cited in: Kimball, K., Petersen, […]

In Halina Rodzinski’s book Our Two Lives she describes how on the very first day Artur Rodzinski came to assist Stokowski in 1929, his boss immediately restyled his hair without a part and combed straight back from the brow.  “That’s how a conductor should look,” said Stokowski, pointing Rodzinski at a mirror in his dressing […]

Each art endeavors to isolate itself, to remain independent of all others. But a play without music is like a feast without wine. Music cleanses the soul from the dust and dross of every day life and seems to say to every one: ‘You are no longer in your office, in the barracks, or in […]

Some of Anton Bruckner’s students decided to play a trick on him. While he was out to  lunch, they played music on the piano for Bruckner’s dog. As one of them played a motive from Richard Wagner’s music, the others chased the dog around the room and slapped him. But when they played from Bruckner’s […]

Every day one should at least hear one little song, read one good poem, see one fine painting and–if at all possible–speak a few sensible words. — Johann Wolfgang von Goethe Goethe, Johann (translated by Frederick Ungar & Heinz Goethe, Johann W., Frederick Ungar, and Heinz Norden). Goethe’s world view : presented in his reflections […]

Strengthened by his initial triumph and by daily evidences of the ever-mounting appreciation and support of the Philadelphia’s new claim to artistic fame, Stokowski tried once again to convince the board that first-class musical results were impossible unless the orchestra rehearsed exactly where they performed.  The men engrossed in the financial problems of balancing budgets […]

“Arensky is a man of remarkable gifts, but morbidly nervous and lacking in firmness—altogether a strange man.” Pyotr Ilyich Tchaikovsky, in a letter to N. F. von Meck, Frolovskoe, July 2nd (14th), 1890. Cited in Modest Tchiakovsky, The Life & Letters of Peter Ilich Tchaikovsky, np., Outlook Verlag, 2018, p. 477.

A general perspective of musical taste in Britain in the 1920s can be seen in the letters to radio broadcasters. In 1926, the B.B.C. (at that time, the British Broadcasting Company) (1) compiled correspondence to the company. In the week ending December 4, of the 7600 letters received, 302 were critical: 125 condemned dance music […]

Vaughan Williams wrote a series of articles for the Royal College of Music magazine entitled “Who Wants the English Composer?”. In these, he expresses his advocacy for an exploration of the English musical style: We English composers are always saying, “Here are Wagner, Brahms, Grieg, Tchaikovsky, what fine fellows they are, let us try and […]