Our modernized world needs music

“Our modernized minds need to be musicalized. We have defied the intellect … and developed only half of man’s possibilities. There is no other human activity that asks for such a harmonious cooperation of “intellect” and “soul” as artistic creation, especially music.”

Ernst Levy, Swiss composer, musicologist, pianist and conductor.

Cited in: Kimball, K., Petersen, R., Johnson, K. (1990) The Music Lover’s Quotation Book. Toronto: Sound and Vision, p. 91.

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Dance of the Knights (Prokofiev)
Title: “Dance of the Knights” from Romeo and Juliet (op. 64)Composer: Sergei ProkofievArranger: Greg SmithInstrumentation: Cello and pianoProduct medium: PDF score and part This item is available at Sheet Music Direct and Sheet Music Plus. Sample:  
Kreutzer’s Wanderlieder and Schubert
Schubert was familiar with Kreutzer’s Wanderlieder song cycle (written in 1817). Spaun twice told the following anecdote of his friend’s reaction to the Wander-Lieder shortly after their publication: “We once found him playing through Kreutzer’s Wanderlieder, which had just appeared. One of his friends [ Anselm Hüttenbrenner] said ‘Leave that stuff alone and sing us […]
Trombone Shorty on writer’s block
Sometimes, I’ll work through it, and sometimes, you know, you might have to make a couple of test bottles or test wines, and it helps you get closer.  But if I don’t stop, I might get on the machine here and make five tracks, but I know that they’re not really worth anything.  I’m just […]
The status of classical music in Australia
“I would like to see the emphasis in teaching shift from the performer to the three elements necessary for satisfying music-making: the composer/ improviser, audience and player. I would also like to see the intelligent, inspired exploration of the question of interpretation – in Indian classical music, for instance, it is the opening up of […]
A little ahead … or a little behind
Samuel Sebastian Wesley received great reviews for his conding at Gloucester’s annual Three Choir Festivals in 1865. An critic in The Musical Times wrote in the October issue: We have said nothing of the orchestra during these performances, for in truth the perfect manner in which the whole of the instrumental portions of the works […]
Schnabel on recording
Having spent five days recording five Beethoven sonatas and two concertos, Schnabel wrote to his wife: This week was an ordeal, a torture chamber. “What does not kill me makes me stronger,” says Nietzsche. Hopefully (probably) this is true. I had no idea of how outrageous a process the recording on discs could be. Like […]
Inner-most feelings can be expressed in music
Taneyev was critical of Tchaikovsky’s Fourth Symphony. Tchaikovsky’s response ended with: “I can see you laughing as you read all of this, you sceptic and mocking-bird.  In spite of your great love of music it seems you still can’t believe that a man can express his inmost feelings in his compositions.  You just wait!” Cited […]
The delicate nature of Chopin’s pianism
Chopin gave a recital in the Gentlemen”s Concert Hall, Manchester, on 28 August 1848. The audience of 1,200 people was the largest Chopin had ever performed to, but Chopin’s delicate playing was not really suited to such a large venue. Conscious of this fact, Chopin requested that another pianist, George Osborne, who was also performing […]
The nature of music
“A verbal art like poetry is reflective; it stops to think. Music is immediate, it goes on to become.” – W. H. Auden, English Poet Auden, Wystan Hugh ‎(1988) The Complete Words of Auden, Princeton University Press, vol. 3, p. 251.
Rachmaninoff scares me
Cyril Smith recounts Rachmaninoff’s stage presence: Those who were fortunate enough to hear him play will almost certainly remember this very tall, melancholy figure, with his graying hair in a crew cut and his deeply-lined face set in a somber expression, walking unwillingly to the piano as though he hated the very sight of  it.  […]