Aim above the mark“If you would hit the mark, you must aim a little above it; Every arrow that flies feels the attraction of earth.” Henry Wadsworth Longfellow (1807-1882), American poet.
My tempo must be followedRavel was very particular about how his works were performed. Ravel always insisted that the tempo for Boléro should be moderate and rigorously maintained throughout. He made a recording of that, too establishing his requirement. Toscanini took it much faster and made an accelerando towards the end. Ravel, who was in the audience, objected. He […]
Delius on the role of music“The chief reason for the degeneration of present-day music lies in the fact that people want to get physical sensations from music more than anything else. Emotion is out of date and intellect a bore. Appreciation of art which has been born of profound thought and intensity of experience necessitates an intellectual effort too exhausting […]
Beethoven’s handwritingFranz Xaver Schnyder von Wartensee (1786-1868) was a composer who wanted lessons with Beethoven. Beethoven would only look at his compositions. Schnyder often dined in the Mehlgrube, because he knew that Beethoven often went there at the same time in the evening. One lovely spring night Schnyder, on entering the restaurant, saw his friend Beethoven […]
Is it worth writing?“Never compose anything unless the not composing of it becomes a positive nuisance to you.” Gustav Holst Cited in: Classic FM, May 2011
Improvising a fugueOn 1 May 1747, Bach met Friedrich II, King of Prussia, in the Potsdam city palace (where chamber music was usually played from 7-9pm daily). Johann Forkel recalled: in 1802 The king used to have every evening a private concert, in which he himself generally performed some concertos on the flute. One evening, just as […]
The Castle BuilderTitle: The Castle Builder Text: Henry Wadsworth Longfellow Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
Debussy on pedalling in ChopinDespite my respect for Saint-Saëns’ age, what he says about Chopin’s pedalling isn’t entirely true. I have very clear memories of what Mme Mauté de Fleurville told me. He (Chopin) recommended practising without pedal and, in performance, not holding it on except in very rare instances. It was the same way of turning the pedal […]
You Are A Priest For Ever (Setting II) – Psalm 109 (110)Title: You are a priest for ever (Setting ii) Text: Psalm 109 (110): 1, 2, 3, 4 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:
Brahms at the tavernWhen Brahms was young, he had to play in rowdy taverns to help support his family. Dance music was what the people in the taverns wanted, and Hannes would sometimes relieve the monotony by improvising variations on the popular waltzes of the day. But what finally made his work endurable was the discovery that while […]