“…the nature of music is inherently social. Blackburn argues, ” … we need to remind ourselves that music in itself does not exist. Despite evidence to the contrary (scores, analytical charts, music stores, CD shelves, etc.) music exists only in performance. … It is therefore a social and political act.” The performance of music corresponds […]

“I have believed the best of every man. And find that to believe is enough to make a bad man show him at his best, or even a good man swings his lantern higher.” – William Yeats, Deirdre

Title: Let my tongue be silenced Text: Psalm 136 (137) Composer: Greg Smith Instrumentation: SATB and piano (unison verses) Product medium: PDF score and part Sample:    

Title: O Lord, our God, how wonderful your name Text: Psalm 8:4-9. R. v.2 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:

While piano wire has changed over the centuries from iron to steel of varying qualities, researchers were surprised to find that the sound produced by the instruments’ wires has remained largely unchanged. “I thought as the wire evolved — as the tension evolved — harmonicity would also change over time,” Purdue University physics professor Nicholas […]

When Mozart was in Naples, he so impressed his audience that they suspected “musical sorcery”. They ordered him to play without wearing his ring, the apparent source of his “magic”. Source: Marek, George (1969) Beethoven: Biography of a Genius. London: William Kimber, p.20.

Boyd Neel was the first conductor to record Vaughan William’s Fantasia on a Theme of Thomas Tallis in 1935. He wrote: I often feel that this wonderful work is perhaps the greatest of all achievements in string orchestral composition. Boyd Neel (1986) The Story of an Orchestra. London: Vox Mundi, p.22. Cited in: Holmes, John […]

QUICK LINKS: Audience reception Composers General Performance practice Performers Style Symbolism Teaching methods The creative process The experience of art The purpose of the arts Work ethic Works See also: ANECDOTES AUDIENCE RECEPTION Quick links COMPOSERS Quick links GENERAL Quick links PERFORMANCE PRACTICE Quick links PERFORMERS Quick links STYLE Quick links SYMBOLISM Quick links TEACHING […]

“John Cage once said he couldn’t abide the Dominant Seventh, and the saxophone.” Ned Rorem (2000) Lies: A Diary 1986-1999.  Cambridge: MA: Da Capo Press, p.65.