“Writing music is seventy-five per cent an intellectual activity.  This effort is often more pleasant for me than having a rest.” Conversation with Ravel, recalled by Robert de Fragny, Echo liberté, 7 November 1950. Cited in: Nichols, Roger (1987) Ravel Remembered.  London: Faber & Faber., p. 61.

Title: Air I Composer: Greg Smith Instrumentation: Piano Duet Level: Piano I – level 2 (several five finger positions, left and right hands) Product medium: PDF score & MP3 accompaniment track0 (Audio sample of accompaniment track only)

“Whoever wishes to play well must not only practice a great deal, but must also read a great many books.” – Johannes Brahms. Cited in: Goss, Madeleine (1943). Brahms: The Master. New York: Hery Holt & Company, p.157

Conductor and pianist Seymour Lipkin (born 1928) recalled piano lessons with his teacher, Bohemian-born pianist Rudolf Serkin: He said so many memorable things to me that I continue to pass on to my students.  A few examples: “The worst crime you can commit as an artist is to bore your listeners”; for another, “People who […]

In 1862 Brahms left Hamburg for Vienna. Brahms was not at all sure that he would remain long in Vienna; but he must have had some premonition that his Hamburg life was nearly over.  He found it hard to say goodbye to his old father and mother; though this time he could leave secure in […]

Ravel was very particular about how his works were performed.  Ravel always insisted that the tempo for Boléro should be moderate and rigorously maintained throughout.  He made a recording of that, too establishing his requirement.  Toscanini took it much faster and made an accelerando towards the end.  Ravel, who was in the audience, objected.  He […]

“If all would play first violin, we could not obtain an orchestra. Therefore esteem every musician in his place.” — Robert Schumann Robert Schumann (translated by Henry Hugo Pierson), Advice to Young Musicains [Musikalische Haus- und Lebens-Regeln]. New York: J. Schuberth & Co. https://www.gutenberg.org/files/28219/28219-h/28219-h.htm, accessed 29 August 2021.

“The chief reason for the degeneration of present-day music lies in the fact that people want to get physical sensations from music more than anything else. Emotion is out of date and intellect a bore. Appreciation of art which has been born of profound thought and intensity of experience necessitates an intellectual effort too exhausting […]

Xaver Schydner von Wartensee, in the early days of meeting Beethoven, was curious about a tale he had heard about Beethoven and a spider. Before Schnyder had become acquainted with the immortal Master, he had read the well-known anecdote according to which, when Beethoven was practising the violin in his garret, a spider lowered itself […]

Title: Sleepy Bear Composer: Greg Smith Instrumentation: Piano Product medium: PDF score SAMPLE: Your browser does not support the audio element.