Gershwin was often the life of a party, entertaining on the piano.  He said: “The trouble is, when I don’t play at a party I don’t have a good time.” Cited in: Greenberg, Rodney (2008) George Gershwin.  New York: Phaidon Press, p.47.

There was soon to be no excuse for not practising in the chill of the winter. This excerpt is from The Musical Times, April 1869: WARMED PIANOS (G. Price’s Patent) – These Instruments invite playing in Winter, when the coldness of the keys of all others makes it unnecessarily uncomfortable, if not painful, to many, […]

From 1882, nine-year-old Rachmaninoff moved to St Petersburg to study at the conservatoire. In the comfortable knowledge that, even if he did not practice, his efforts were more successful than those of his classmates, young Sergei grew lazier and lazier. In the end he did nothing at all, showed a marked preference for shirking his […]

In 1920s Soviet Russia, musicians experimented mirroring the political state: “Just as the government didn’t need a tsar, so the orchestra didn’t need a director,” says Pyotr Aidu of the School of Dramatic Art, which will revive the long-dead form at a premiere concert Thursday. Miriam Elder, “1920s Orchestra Without a Conductor Revived”, The Moscow […]

Before the time of Bach, keyboardists would often only use the middle three fingers of each hand and tended to keep their hands flat. Bach taught his students under the new principle of using all the fingers. Beethoven asked his pupils to curve the hand. Source: Marek, George (1969) Beethoven: Biography of a Genius. London: William […]

Title: Blue Flemingo Composer: Greg Smith Instrumentation: Piano Product medium: PDF score SAMPLE:

Brahms was invited to the family of one of his students, Fräulein von Meyensbug, in Detmol : The Meysenbug ladies proved very prim and conventional. Brahms was ill at ease. He was so afraid of shocking his aristocratic hostesses that he hardly knew what to say or how to behave. Their young nephew Carl, however, […]

This will be our response to violence To make music more intensely, more beautifully, more devotedly than ever before.  – Leonard Bernstein.

Johannes Brahms could be incredibly rude, even to his friends. While playing a Beethoven sonata with a cellist friend one day, he applied his piano’s pedals with more enthusiasm than the friend had hoped. “Softer,” he pleaded, “I can’t hear my cello.” “You are lucky,” Brahms replied. “I can.” Source: N. Slonimsky, Book of Musical […]

“Now we know that you are gifted, very gifted, but you must work very hard, because someone who is gifted has to work harder than someone who is not, and you will see how boring it is to work hard at music.” Ravel to Manuel Rosenthal after a concert. Cited in: Nichols, Roger (1987) Ravel […]