In its span of seven octaves [the piano] embraces the range of an orchestra; the ten fingers of a single man suffice to render the harmonies produced by the combined forces of more than 100 concerted instruments. We make arpeggios like the harp, prolonged notes like wind instruments, staccatos, and a thousand other effects which once seemed the special prerogative of such and such an instrument.
P. Kildea, Chopin’s Piano, London, Allen Lane, 2018, p.22.
— Franz Liszt
Liszt on the piano
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Brahm’s first meeting with Schumann
He [Brahms] sat down and began the sonata which had so impressed Joachim [a violinist]. As he played, a swift change transformed [Robert] Schumann’s impassive features. The Master listened with growing interest, then suddenly sprang to his feet. “Please”, he cried. “Will you wait just a moment? Clara -” He hurried to the door and […]
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Abstraction VIITitle: Abstraction VII Composer: Greg Smith Instrumentation: Cello and piano Product medium: PDF score and part SAMPLES:
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