In its span of seven octaves [the piano] embraces the range of an orchestra; the ten fingers of a single man suffice to render the harmonies produced by the combined forces of more than 100 concerted instruments. We make arpeggios like the harp, prolonged notes like wind instruments, staccatos, and a thousand other effects which once seemed the special prerogative of such and such an instrument.
P. Kildea, Chopin’s Piano, London, Allen Lane, 2018, p.22.
— Franz Liszt
Liszt on the piano
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Why we read
We read books to find out who we are. What other people, real or imaginary, do and think and feel—or have done and thought and felt; or might do and think and feel—is an essential guide to our understanding of what we ourselves are and may become. A person who had never known another human […]
Ravel’s fashion senseRavel was always particular about his sense of fashion. As Léon-Paul Fargue recalled: Even when he was wasted by illness, Ravel never appeared unkept even among his closest friends. All his life he kept the perfect, discriminating taste which led him to match his braces to his blue or pink silk shirts, much to the […]
The importance of music in pantomime“In pantomime every single episode, each movement in each episode (its plastic modulations)—as well as the gestures of every character and the groupings of the ensemble—are determined precisely by the music, by its changes in tempo, its modulations, its overall structure. In pantomime the rhythm of the movements, gestures, and groupings synchronized precisely with the […]
The musical mosaic“Music is for me like a beautiful mosaic which God has put together. He takes all the pieces in his hand, throws them into the world, and we have to recreate the picture from the pieces.” Jean Sibelius, quoted by Jalmari Finne to Anna Sarlin, 28th June 1905. Cited at: www.sibelius.fi [accessed 31 Mar 2010].
Obedience and liberty in creativityA great work, I believe, is made out of a combination of obedience and liberty. Such a work satisfied the mind, together with that curious thing which is artistic emotion. Stravinsky said, “If I were permitted everything, I would be lost in the abyss of liberty.” On the one hand he knew the limits, on […]
Music and identity“The more anonymous music is, the less likely people will be to feel attached it and to feel the need to support it. But when someone knows who you are, when you’re not just some disembodied vibrations in the air, they’re far more likely to stand behind you.” Isaac Schankler. “Beyond Sound and Science: Musicians, […]
The Queen Stands at Your Right Hand (MP3)Title: The Queen Stands At Your Right Hand Text: Psalm 44 (45): 10-12. 16 Composer: Greg Smith Performer: Greg Smith Instrumentation: Piano Product medium: MP3 recording Related products: – The Queen Stands At Your Right Hand – Piano solo (score) – The Queen Stands At Your Right Hand – SATB and piano (score) Sample:
Through the Long NightTitle: Through the Long Night Composer: Greg SmithText: Edward Carpenter Instrumentation: TTBBProduct medium: PDF score
Brahm’s introduction in Viennain 1862, Brahms called to see Julius Epstein, a professor at the Vienna Conservatory. “Joachim tells me – ha! – that you have written some really interesting music. Sent me your piano sonata in F minor to look over. Bring any new compositions with you?” he added, noticing Johanne’s portfolio. “I have two piano quartets […]
GreatnessGreatness means the construction of an inner world, and the communication of this inner world to the physical world of humanity. The two belong together; neither is thinkable without the other. The strongest feeling and the most vivid imagination are worthless to humanity if they do not manifest themselves; the greatest constructive talent is worthless […]
