Title: Ganymed (Op. 19, No. 3)Composer: Franz SchubertArranger: Greg SmithInstrumentation: Cello and pianoProduct medium: PDF score and part Sample:

In 1824, Schubert wrote a letter to his friend Schober concerning a general complacency about the role of art at the time: The idle time, which hinders the fulfillment of all greatness, destroys me too. Even golden verse is foolishly mocked by the people, no longer attentive to its powerful message. Only by the gift […]

“It’s a very reactionary viewpoint and I’m slightly ashamed, but I find it very difficult to access contemporary music. I am not prejudiced, but my work in tonal music leads me to believe nothing can be organic if it doesn’t have a [sense of] “home.”  This idea of belonging, or home, can’t be an intellectual […]

If Heaven has bestowed on you a fine imagination, you will often be seated at your piano in solitary hours, as if attached to it; you will desire to express the feelings of your heart in harmony, and the more clouded the sphere of harmony may perhaps be to you, the more mysteriously you will […]

Before the time of Bach, keyboardists would often only use the middle three fingers of each hand and tended to keep their hands flat. Bach taught his students under the new principle of using all the fingers. Beethoven asked his pupils to curve the hand. Source: Marek, George (1969) Beethoven: Biography of a Genius. London: William […]

“Take a music bath once or twice a week for a few seasons, and you will find that it is to the soul what the water-bath is to the body.” Oliver Wendell Holmes, American physician, lecturer and author.

The inexpressible depth of all music, by virtue of which it floats past us as a paradise quite familiar and yet eternally remote, and is so easy to understand and yet so inexplicable, is due to the fact that it reproduces all the emotions of our innermost being, but entirely without reality and remote from […]

Chopin had a free sense of rhythm.  In 1842, Chopin was giving a lessen to Wilhem von Lenz when Meyerbeer walked in.  The Mazurka (op. 33 no. 3) was being played.  von Lenz recounts: Meyerbeer had seated himself; Chopin let me play on. “That is two-four time,” said Meyerbeer. For reply, Chopin made me repeat, […]

Young musicians will need resourcefulness to make their way in the world. Music “jobs” in the future are likely to be less attached to institutions (many of which are troubled in one way or another), entrepreneurial, and varied beyond a straight performance career to include all manner of teaching, coaching,  and work we could loosely […]

Einstein wrote that Mozart’s music “was so pure that it seemed to have been ever-present in the universe, waiting to be discovered by the master.” Lyth, David (2019) The Road to Einstein’s Relativity. Boca Ranton: CRC Press, p.131.