“To orchestrate is like a thumbprint. I can’t understand having someone else do it. It would be like someone putting color to your paintings.” – Bernard Hermann on orchestration. Hall, Roger L., A Guide to Film Music, p. 43.  Cited at Wikipedia.

ABSTRACT The nineteenth and twentieth centuries witnessed the rapid growth of musical culture in Russia. This resulted in a large repertoire of piano music — ranging from miniatures to virtuosic etudes and sonatas. Growing out of the nineteenth century romantic tradition, and highly influenced by the social conditions of the time, Russian composers developed a distinctive style which […]

Title: Peace is what I leave you Text: John 14:27 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:

Brass Brass ensemble Trombone Piano Piano solo Piano method Orchestra and concert band Concert band Strings Cello and piano String ensemble Vocal and choral General Sacred Woodwind Bassoon

Art that feels like a duty is probably bad art. But most of the art industry is geared towards foisting that kind of art on us. Bad art changes over the centuries far less than we think. Today’s theory-heavy video installations are often modern equivalents of pompous and moralising Victorian paintings. It’s the joyous, uninhibited […]

Title: I am the Lord, your God. Text: Psalm 80 (81): 10-11ab, 12-13, 14-15 Composer: Greg Smith Instrumentation: SATB and piano Product medium: PDF score and part Sample:

“At the end of a dinner he was attending by a lady in Liege, Ysaÿe was asked to listen to a young violinist. Although he felt tired and was longing to go back home he could not but accept his hostess’s request. The young man played several pieces from his repertoire. Then, after a long […]

Title: Jack Sparrow, from Pirates of the Caribbean: Dead Man’s ChestComposer: Hans ZimmerArranger: Greg SmithInstrumentation: Solo cello, string orchestra, tom-tom (optional)Product medium: PDF score and parts Available from Sheet Music Plus and Sheet Music Direct

Strengthened by his initial triumph and by daily evidences of the ever-mounting appreciation and support of the Philadelphia’s new claim to artistic fame, Stokowski tried once again to convince the board that first-class musical results were impossible unless the orchestra rehearsed exactly where they performed.  The men engrossed in the financial problems of balancing budgets […]

This knowledge of truth, combined with proper regard for it, and its faithful observance, constitutes true education. The mere stuffing of the mind with a knowledge of facts is not education. The mind must not only posses a knowledge of truth, but the soul must revere it, cherish it, love it as a priceless gem; […]